History
A water stop on the Southern Pacific Railroad since 1876, the site was largely unsettled until the early 20th century. In 1910, Ralph, Clifford and Effie Corum built a homestead on the edge of Rogers Lake. The Corums proved instrumental in attracting other settlers and building infrastructure in the area, and when a post office was commissioned for the area, they named it Muroc, a reversal of the Corum name, because there was already a town named Corum.
Conscious that March Field was located in an area of increasing growth, and with the need for bombing and gunnery ranges for his units, base and 1st Wing commander Lieutenant Colonel Henry H. "Hap" Arnold began the process of acquiring land next to the Rogers dry lake for a new bombing range away from population areas in August 1932 (the last tract was not acquired until 1939). The facility established to support the range, initially referred to as "Mohave Field," was Muroc Field. At this time, another colorful character in Edwards' history, Pancho Barnes, built her renowned Rancho Oro Verde Fly-Inn Dude Ranch that would be the scene of many parties and celebrations to come. The dry lake was a hive of hot rodding, with racing on the dry lakes. The runway that the Space Shuttle lands on follows the route that hosted racing in the 1930s.
When Arnold became Chief of the Air Corps in 1938, the service was given a renewed focus on Research and Development. Muroc Field drew attention because the nearby dry lake was so flat (Arnold described it as "level as a billiard table") that it could serve as a giant runway, ideal for flight testing. Over $120 million was spent to develop the base in the 1940s and expand it to 301,000 acres (470 sq mi; 1,220 km2). The base's main 15,000-foot (4,600 m) runway was completed in a single pour of concrete.
Read more about this topic: Edwards Air Force Base
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“When the landscape buckles and jerks around, when a dust column of debris rises from the collapse of a block of buildings on bodies that could have been your own, when the staves of history fall awry and the barrel of time bursts apart, some turn to prayer, some to poetry: words in the memory, a stained book carried close to the body, the notebook scribbled by handa center of gravity.”
—Adrienne Rich (b. 1929)
“If man is reduced to being nothing but a character in history, he has no other choice but to subside into the sound and fury of a completely irrational history or to endow history with the form of human reason.”
—Albert Camus (19131960)
“The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism.... Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.”
—Camille Paglia (b. 1947)