Edward Wallace Muir, Jr. - Works

Works

Civic Ritual in Renaissance Venice. Princeton: Princeton University Press, 1981. Winner of the Herbert Baxter Adams Prize and Howard R. Marraro Prize in Italian History Italian translation: Il rituale civico a Venezia nel Rinascimento. Rome: Il Veltro Editrice, 1984.

The Leopold von Ranke Manuscript Collection of Syracuse University: The Complete Catalogue. Syracuse: Syracuse University Press, 1983.

Sex and Gender in Historical Perspective. Co-edited with Guido Ruggiero. Selections from Quaderni Storici, no. 1. Baltimore: The Johns Hopkins University Press, 1990.

Microhistory and the Lost Peoples of Europe. Co-edited with Guido Ruggiero. Selections from Quaderni Storici, no. 2. Baltimore: The Johns Hopkins University Press, 1991.

Mad Blood Stirring: Vendetta and Factions in Friuli during the Renaissance. Baltimore: The Johns Hopkins University Press, 1993, 390pp. Winner of the Howard R. Marraro Prize in Italian History Reader's edition under title, Mad Blood Stirring: Vendetta in Renaissance Italy. Baltimore: The Johns Hopkins University Press, 1998. Italian translation: Il sangue s’infuria e ribolle: La vendetta nell’Italia del Rinascimento. Verona: Cierre edizioni, 2010.

History from Crime. Co-edited with Guido Ruggiero. Selections from Quaderni Storici, no. 3. Baltimore: The Johns Hopkins University Press, 1994, 236pp.

Ritual in Early Modern Europe. New Approaches in European History series. Cambridge: Cambridge University Press, 1997. 2nd edition, 2005. Italian translation: Riti e rituali nell’Europa moderna. Milan, La Nuova Italia, 2000. Spanish translation: Fiesta y rito en la Europa moderna. Madrid, Editorial Complutense, 2001.

Co-author with Brian Levack, Michael Maas, and Meredith Veldman, The West: Encounters and Transformations. New York: Addison Wesley Longman (new Prentice Hall), 2004. Concise edition, 2006. 2nd full edition, 2007. 3rd full edition, 2010.

The Culture Wars of the Late Renaissance: Skeptics, Libertines, and Opera. Cambridge, Mass.: Harvard University Press, 2007. Italian translation: Guerre culturali: Libertinismo e religione alla fine del Rinascimento. Bari: Laterza, 2008.

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    The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.
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