Edward Gorey - Early Life

Early Life

Edward St. John Gorey was born in Chicago. His parents, Helen Dunham (née Garvey) and Edward Lee Gorey, divorced in 1936 when he was 11, then remarried in 1952 when he was 27. One of his stepmothers was Corinna Mura (1909–1965), a cabaret singer who had a small role in the classic film Casablanca as the woman playing the guitar while singing "La Marseillaise" at Rick's Café Américain. His father was briefly a journalist. Gorey's maternal great-grandmother, Helen St. John Garvey, was a popular 19th century greeting card writer and artist, from whom he claimed to have inherited his talents.

Gorey attended a variety of local grade schools and then the Francis W. Parker School. He spent 1944 to 1946 in the Army at Dugway Proving Ground in Utah, and then attended Harvard University from 1946 to 1950, graduating in the class of 1950, where he studied French and roomed with poet Frank O'Hara.

In the early 1950s, Gorey, with a group of recent Harvard alumni including Alison Lurie (1947), John Ashbery (1949), and Donald Hall (1951), Frank O'Hara, amongst others, founded the Poets' Theatre in Cambridge, which was supported by Harvard faculty members John Ciardi and Thornton Wilder.

He frequently stated that his formal art training was "negligible"; Gorey studied art for one semester at the School of the Art Institute of Chicago in 1943.

Read more about this topic:  Edward Gorey

Famous quotes containing the words early and/or life:

    [In early adolescence] she becomes acutely aware of herself as a being perceived by others, judged by others, though she herself is the harshest judge, quick to list her physical flaws, quick to undervalue and under-rate herself not only in terms of physical appearance but across a wide range of talents, capacities and even social status, whereas boys of the same age will cite their abilities, their talents and their social status pretty accurately.
    Terri Apter (20th century)

    But the life of Spirit is not the life that shrinks from death and keeps itself untouched by devastation, but rather the life that endures it and maintains itself in it. It wins its truth only when, in utter dismemberment, it finds itself.... Spirit is this power only by looking the negative in the face, and tarrying with it. This tarrying with the negative is the magical power that converts it into being. This power is identical with what we earlier called the Subject.
    Georg Wilhelm Friedrich Hegel (1770–1831)