Edna Ferber - Works

Works

  • Dawn O'Hara (1911)
  • Buttered Side Down (1912)
  • Roast Beef, Medium (Frederick A. Stokes Company, 1913)
  • Personality Plus (1914)
  • Emma Mc Chesney and Co. (1915)
  • Our Mrs. McChesney (1915) (with George V. Hobart)
  • Fanny Herself (1917)
  • Cheerful – By Request (1918)
  • Half Portions (1919)
  • The Girls (Edna Ferber novel) (1921)
  • Gigolo (1922)
  • So Big (1924) (won Pulitzer Prize)
  • Minick: A Play (1924) (with G. S. Kaufman)
  • Show Boat (1926, Grosset & Dunlap)
  • Stage Door (1926) (with G.S. Kaufman)
  • The Royal Family (1927) (with G. S. Kaufman)
  • Cimarron (1929)
  • American Beauty (1931)
  • Dinner at Eight (1932) (with G. S. Kaufman)
  • They Brought Their Women (1933)
  • Come and Get It (1935)
  • Nobody's in Town (1938)
  • A Peculiar Treasure (1939)
  • The Land Is Bright (1941)
  • Saratoga Trunk (1941)
  • No Room at the Inn (1941)
  • Great Son (1945)
  • Saratoga Trunk (1945) (with Casey Robinson)
  • Bravo (1949) (with G. S. Kaufman)
  • Giant (1952)
  • Ice Palace (1958)
  • A Kind of Magic (1963)

Musicals adapted from Ferber novels:

  • Show Boat (1927) – music by Jerome Kern, lyrics and book by Oscar Hammerstein II, produced by Florenz Ziegfeld
  • Saratoga (musical) (1959) – music by Harold Arlen, lyrics by Johnny Mercer, dramatized by Morton DaCosta
  • Giant (2009) – music and lyrics by Michael John LaChiusa, book by Sybille Pearson

Read more about this topic:  Edna Ferber

Famous quotes containing the word works:

    Great works constructed there in nature’s spite
    For scholars and for poets after us,
    Thoughts long knitted into a single thought,
    A dance-like glory that those walls begot.
    William Butler Yeats (1865–1939)

    The works of women are symbolical.
    We sew, sew, prick our fingers, dull our sight,
    Producing what? A pair of slippers, sir,
    To put on when you’re weary or a stool
    To stumble over and vex you ... “curse that stool!”
    Or else at best, a cushion, where you lean
    And sleep, and dream of something we are not,
    But would be for your sake. Alas, alas!
    This hurts most, this ... that, after all, we are paid
    The worth of our work, perhaps.
    Elizabeth Barrett Browning (1806–1861)

    I divide all literary works into two categories: Those I like and those I don’t like. No other criterion exists for me.
    Anton Pavlovich Chekhov (1860–1904)