Henry Ward Beecher
In Alexandria, the Edmonson sisters were hired out to do laundering, ironing and sewing, with wages going to the slave traders. They were locked up at night. Paul Edmonson continued his campaign to free his daughters while Bruin & Hill demanded $2,250 for their release.
With letters from Washington-area supporters, Paul Edmonson met Henry Ward Beecher, a young Congregationalist preacher with a church in Brooklyn, New York who was known to support abolitionism. Beecher's church members raised the funds to purchase the Edmonson sisters and give them freedom. Accompanied by William Chaplin, a white abolitionist who had helped pay for the Pearl for the escape attempt, Beecher went to Washington to arrange the transaction.
Mary Edmonson and Emily Edmonson were emancipated on November 4, 1848. The family gathered for a celebration at another sister's house in Washington. Beecher's church continued to contribute money to send the sisters to school for their education. They first enrolled at New York Central College, an interracial institution in Cortland, New York. They also worked as cleaning servants to support themselves.
While studying, the sisters participated in anti-slavery rallies around New York state. The story of their slavery, escape attempt, and suffering was often repeated. Beecher's son and biographer recorded that "this case at the time attracted wide attention." At the rallies, the Edmonson sisters participated in mock slave auctions designed by Beecher to attract publicity to the abolitionist cause. In describing the role that women such as the Edmonson sisters played in such well-publicized political theater, a scholar at the University of Maryland asserted in 2002:
| “ | Beecher staged his most successful auctions using attractive mulatto women or female children (such as the Edmonson sisters, or the beautiful little girl, Pinky, who, according to Beecher, "No one would know from a white child"), making a material choice in "casting" his political protest that was calculated to arouse the audience's interest. As he displayed the women's bodies on the stage, Beecher exhorted his audience to imagine the fate that awaited these young women, or "marketable commodities", as he termed them, in the fancy girl auctions of New Orleans. His casting choices could only work with beautiful, fair-skinned women. | ” |
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