Early Life and Career
Wright was born in Poole, Dorset, but grew up predominantly in Wells, Somerset, after his family moved there during his childhood. Throughout the late 1980s and early 1990s, Wright directed many short films, first on a Super-8 camera which was a gift from a family member and later on a Video-8 camcorder won in a competition on the television programme Going Live. These films were mostly comedic pastiches of popular genres, such as the super hero-inspired Carbolic Soap and Dirty Harry tribute Dead Right (the latter of which was eventually featured on the DVD release of Hot Fuzz).
After graduating from Bournemouth Arts College he made a spoof western, A Fistful of Fingers, which was picked up for a limited theatrical release and broadcast on the British satellite TV channel Sky Movies. Despite Wright's dissatisfaction with the finished product, it caught the attention of comedians Matt Lucas and David Walliams, who subsequently chose him as the director of their Paramount Comedy channel productions Mash and Peas and Sir Bernard's Stately Homes. During this time he also worked on BBC programmes such as Is It Bill Bailey? and Alexei Sayle's Merry-Go-Round. In an interview with journalist and author Robert K. Elder for The Film That Changed My Life, Wright cites his edgy and comedic style in his love for An American Werewolf in London:
I’ve always been fascinated by horror films and genre films. And horror films harboured a fascination for me and always have been something I’ve wanted to watch and wanted to make. Equally, I’m very fascinated by comedy. I suppose the reason that this film changed my life is that very early on in my film-watching experiences, I saw a film that was so sophisticated in its tone and what it managed to achieve.
Read more about this topic: Edgar Wright
Famous quotes containing the words early, life and/or career:
“I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.”
—Ruth Behar (b. 1956)
“The way to go to the circus, however, is with someone who has seen perhaps one theatrical performance before in his life and that in the High School hall.... The scales of sophistication are struck from your eyes and you see in the circus a gathering of men and women who are able to do things as a matter of course which you couldn’t do if your life depended on it.”
—Robert Benchley (1889–1945)
“Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
—Lewis H. Lapham (b. 1935)