Early Life and Career
Wright was born in Poole, Dorset, but grew up predominantly in Wells, Somerset, after his family moved there during his childhood. Throughout the late 1980s and early 1990s, Wright directed many short films, first on a Super-8 camera which was a gift from a family member and later on a Video-8 camcorder won in a competition on the television programme Going Live. These films were mostly comedic pastiches of popular genres, such as the super hero-inspired Carbolic Soap and Dirty Harry tribute Dead Right (the latter of which was eventually featured on the DVD release of Hot Fuzz).
After graduating from Bournemouth Arts College he made a spoof western, A Fistful of Fingers, which was picked up for a limited theatrical release and broadcast on the British satellite TV channel Sky Movies. Despite Wright's dissatisfaction with the finished product, it caught the attention of comedians Matt Lucas and David Walliams, who subsequently chose him as the director of their Paramount Comedy channel productions Mash and Peas and Sir Bernard's Stately Homes. During this time he also worked on BBC programmes such as Is It Bill Bailey? and Alexei Sayle's Merry-Go-Round. In an interview with journalist and author Robert K. Elder for The Film That Changed My Life, Wright cites his edgy and comedic style in his love for An American Werewolf in London:
I’ve always been fascinated by horror films and genre films. And horror films harboured a fascination for me and always have been something I’ve wanted to watch and wanted to make. Equally, I’m very fascinated by comedy. I suppose the reason that this film changed my life is that very early on in my film-watching experiences, I saw a film that was so sophisticated in its tone and what it managed to achieve.
Read more about this topic: Edgar Wright
Famous quotes containing the words early, life and/or career:
“Betwixt the black fronts long-withdrawn
A light-blue lane of early dawn,”
—Alfred Tennyson (18091892)
“If it is the mark of the artist to love art before everything, to renounce everything for its sake, to think all the sweet human things of life well lost if only he may attain something, do some good, great workthen I was never an artist.”
—Ellen Terry (18471928)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partners job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)