Edgar Allan Poe in Television and Film

Edgar Allan Poe In Television And Film

American poet and short story writer Edgar Allan Poe has had significant influence in television and film. Many are adaptations of Poe's work, others merely reference it.

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Famous quotes containing the words edgar allan poe, edgar allan, edgar, allan, poe, television and/or film:

    “It glows with the light
    Of the love of my Annie—
    With the thought of the light
    Of the eyes of my Annie.”
    —Edgar Allan Poe (1809–1849)

    “The nose of a mob is its imagination. By this, at any time, it can be quietly led.”
    —Edgar Allan Poe (1809–1845)

    “Fate, or some mysterious force, can put the finger on you or me, for no good reason at all.”
    —Martin Goldsmith, and Edgar G. Ulmer. Al Roberts (Tom Neal)

    “Nor had I erred in my calculations—nor had I endured in vain. I at length felt that I was free.”
    —Edgar Allan Poe (1809–1849)

    “We now demand the light artillery of the intellect; we need the curt, the condensed, the pointed, the readily diffused—in place of the verbose, the detailed, the voluminous, the inaccessible. On the other hand, the lightness of the artillery should not degenerate into pop-gunnery—by which term we may designate the character of the greater portion of the newspaper press—their sole legitimate object being the discussion of ephemeral matters in an ephemeral manner.”
    —Edgar Allan Poe (1809–1845)

    “They [parents] can help the children work out schedules for homework, play, and television that minimize the conflicts involved in what to do first. They can offer moral support and encouragement to persist, to try again, to struggle for understanding and mastery. And they can share a child’s pleasure in mastery and accomplishment. But they must not do the job for the children.”
    —Dorothy H. Cohen (20th century)

    “Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
    —David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)