Edgar Allan Poe In Television And Film
American poet and short story writer Edgar Allan Poe has had significant influence in television and film. Many are adaptations of Poe's work, others merely reference it.
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Famous quotes containing the words edgar allan poe, edgar allan, allan, poe, television and/or film:
“I must not only punish, but punish with impunity. A wrong is unredressed when retribution overtakes its redresser. It is equally unredressed when the avenger fails to make himself felt as such to him who has done the wrong.”
—Edgar Allan Poe (1809–1849)
“He made no resistance whatever, and was stabbed in the back.... I must not dwell upon the fearful repast.... Words have no power to impress the mind with the exquisite horror of their reality.”
—Edgar Allan Poe (1809–1849)
“A lunatic may be “soothed,”... for a time, but in the end, he is very apt to become obstreperous. His cunning, too, is proverbial, and great.... When a madman appears thoroughly sane, indeed, it is high time to put him in a straight jacket.”
—Edgar Allan Poe (1809–1849)
“There is ... a class of fancies, of exquisite delicacy, which are not thoughts, and to which, as yet, I have found it absolutely impossible to adapt language.... Now, so entire is my faith in the power of words, that at times, I have believed it possible to embody even the evanescence of fancies such as I have attempted to describe.”
—Edgar Allan Poe (1809–1849)
“In full view of his television audience, he preached a new religion—or a new form of Christianity—based on faith in financial miracles and in a Heaven here on earth with a water slide and luxury hotels. It was a religion of celebrity and showmanship and fun, which made a mockery of all puritanical standards and all canons of good taste. Its standard was excess, and its doctrines were tolerance and freedom from accountability.”
—New Yorker (April 23, 1990)
“The woman’s world ... is shown as a series of limited spaces, with the woman struggling to get free of them. The struggle is what the film is about; what is struggled against is the limited space itself. Consequently, to make its point, the film has to deny itself and suggest it was the struggle that was wrong, not the space.”
—Jeanine Basinger (b. 1936)