Television
- Dickens of London (1976), a television miniseries featured Seymour Matthews as Poe.
- Sabrina, the Teenage Witch (1999), where Poe is played by actor "Edgar Allan Poe IV" in the episode "Episode LXXXI: The Phantom Menace." Edgar Allan Poe IV claims he is the great-great-great-grandnephew of Edgar Allan Poe.
- An episode of the Cartoon Network series Time Squad, about time travelers tasked with setting right errors in history, featured an uncharacteristically happy E.A.Poe, more concerned with happy rainbows and pink bunnies, than matters of the Macabre. History was returned to normal by introducing this erroneous Poe to a morose state of misery and depression, finally appreciating the horrors and misery of the world around him.
- In the episode "Escape to the House of Mummies Part II" (2006) of The Venture Bros., Brock Samson, Hank, and Dean, team up with Edgar Allan Poe, as well as Caligula, Brock Samson (past), and Sigmund Freud.
- The 2007 Masters of Horror episode "The Black Cat" wove elements of Poe's life in with the story of the same name. Poe was played by Jeffrey Combs, a horror movie veteran who has worked closely on a number of Stuart Gordon's (the director) previous projects.
Read more about this topic: Edgar Allan Poe In Popular Culture
Famous quotes containing the word television:
“It is marvelous indeed to watch on television the rings of Saturn close; and to speculate on what we may yet find at galaxy’s edge. But in the process, we have lost the human element; not to mention the high hope of those quaint days when flight would create “one world.” Instead of one world, we have “star wars,” and a future in which dumb dented human toys will drift mindlessly about the cosmos long after our small planet’s dead.”
—Gore Vidal (b. 1925)
“Addison DeWitt: Your next move, it seems to me, should be toward television.
Miss Caswell: Tell me this. Do they have auditions for television?
Addison DeWitt: That’s all television is, my dear. Nothing but auditions.”
—Joseph L. Mankiewicz (1909–1993)
“In full view of his television audience, he preached a new religion—or a new form of Christianity—based on faith in financial miracles and in a Heaven here on earth with a water slide and luxury hotels. It was a religion of celebrity and showmanship and fun, which made a mockery of all puritanical standards and all canons of good taste. Its standard was excess, and its doctrines were tolerance and freedom from accountability.”
—New Yorker (April 23, 1990)