Son Groups
The son dates back to the latter part of the 19th century. Actual names of players and musical groups appear after the then Cuban President, José Miguel Gómez, sent the battalions of the Ejército Permanente away from their native provinces. It was the Permanente from Oriente that brought the son to Havana.
There are a few early recordings which survive from before the famous sextetos were formed. Some of the theatre music was interesting, for example, the Teatro Alhambra had a group of which Adolfo Colombo was the leading personality. He was a singer and regular recording artist, though few of these recordings have survived. One that has been reissued by Harlequin reveals a funky number which is hard to categorize. Listed as a rumba, it is perhaps best described as a guaracha-son. The artists singing are Colombo and Claudio García, the guitar probably Alberto Villalón, plus an unknown tres player. All three named players were white, yet the number is creole, almost Afro-Cuban, in style.
Read more about this topic: Early Cuban Bands
Famous quotes containing the words son and/or groups:
“... I suppose that it is not so easy to go home and it takes a bit of time to make a son out of a stranger.”
—Albert Camus (1913–1960)
“Instead of seeing society as a collection of clearly defined “interest groups,” society must be reconceptualized as a complex network of groups of interacting individuals whose membership and communication patterns are seldom confined to one such group alone.”
—Diana Crane (b. 1933)