Son Groups
The son dates back to the latter part of the 19th century. Actual names of players and musical groups appear after the then Cuban President, José Miguel Gómez, sent the battalions of the Ejército Permanente away from their native provinces. It was the Permanente from Oriente that brought the son to Havana.
There are a few early recordings which survive from before the famous sextetos were formed. Some of the theatre music was interesting, for example, the Teatro Alhambra had a group of which Adolfo Colombo was the leading personality. He was a singer and regular recording artist, though few of these recordings have survived. One that has been reissued by Harlequin reveals a funky number which is hard to categorize. Listed as a rumba, it is perhaps best described as a guaracha-son. The artists singing are Colombo and Claudio García, the guitar probably Alberto Villalón, plus an unknown tres player. All three named players were white, yet the number is creole, almost Afro-Cuban, in style.
Read more about this topic: Early Cuban Bands
Famous quotes containing the words son and/or groups:
“Their bodies are buried in peace; but their name liveth for evermore.”
—Apocrypha. Ecclesiasticus, 44:14.
The line “their name liveth for evermore” was chosen by Rudyard Kipling on behalf of the Imperial War Graves Commission as an epitaph to be used in Commonwealth War Cemeteries. Kipling had himself lost a son in the fighting.
“In America every woman has her set of girl-friends; some are cousins, the rest are gained at school. These form a permanent committee who sit on each other’s affairs, who “come out” together, marry and divorce together, and who end as those groups of bustling, heartless well-informed club-women who govern society. Against them the Couple of Ehepaar is helpless and Man in their eyes but a biological interlude.”
—Cyril Connolly (1903–1974)