Early Cuban Bands - Son Groups

Son Groups

The son dates back to the latter part of the 19th century. Actual names of players and musical groups appear after the then Cuban President, José Miguel Gómez, sent the battalions of the Ejército Permanente away from their native provinces. It was the Permanente from Oriente that brought the son to Havana.

There are a few early recordings which survive from before the famous sextetos were formed. Some of the theatre music was interesting, for example, the Teatro Alhambra had a group of which Adolfo Colombo was the leading personality. He was a singer and regular recording artist, though few of these recordings have survived. One that has been reissued by Harlequin reveals a funky number which is hard to categorize. Listed as a rumba, it is perhaps best described as a guaracha-son. The artists singing are Colombo and Claudio García, the guitar probably Alberto Villalón, plus an unknown tres player. All three named players were white, yet the number is creole, almost Afro-Cuban, in style.

Read more about this topic:  Early Cuban Bands

Famous quotes containing the words son and/or groups:

    While they were there, the time came for her to deliver her child. And she gave birth to her firstborn son and wrapped him in bands of cloth, and laid him in a manger, because there was no place for them in the inn.
    Bible: New Testament, Luke 2:6,7.

    If we can learn ... to look at the ways in which various groups appropriate and use the mass-produced art of our culture ... we may well begin to understand that although the ideological power of contemporary cultural forms is enormous, indeed sometimes even frightening, that power is not yet all-pervasive, totally vigilant, or complete.
    Janice A. Radway (b. 1949)