Dystopia - Politics

Politics

In When the Sleeper Wakes, H. G. Wells depicted the governing class as hedonistic and shallow. George Orwell contrasted Wells's world to that depicted in Jack London's The Iron Heel, where the dystopian rulers are brutal and dedicated to the point of fanaticism, which Orwell considered more plausible.

Whereas the political principles at the root of fictional utopias (or "perfect worlds") are idealistic in principle, intending positive consequences for their inhabitants, the political principles on which fictional dystopias are based are flawed and result in negative consequences for the inhabitants of the dystopian world, which is portrayed as oppressive.

Dystopias are often filled with pessimistic views of the ruling class or government that is brutal or uncaring ruling with an "iron hand" or "iron fist". These dystopian government establishments often have protagonists or groups that lead a "resistance" to enact change within their government.

There are also many dystopias in which the government is weak, and businesses control a very corrupt government. Many of these dystopias are characterized by inequality and oppression of the lower class.

Dystopian political situations are depicted in novels such as Parable of the Sower, Nineteen Eighty-Four, Brave New World and Fahrenheit 451; and in such films as Fritz Lang's Metropolis, Brazil, The Hunger Games, FAQ: Frequently Asked Questions, and Soylent Green.

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Famous quotes containing the word politics:

    The real grounds of difference upon important political questions no longer correspond with party lines.... Politics is no longer the topic of this country. Its important questions are settled... Great minds hereafter are to be employed on other matters.... Government no longer has its ancient importance.... The people’s progress, progress of every sort, no longer depends on government. But enough of politics. Henceforth I am out more than ever.
    Rutherford Birchard Hayes (1822–1893)

    The so-called consumer society and the politics of corporate capitalism have created a second nature of man which ties him libidinally and aggressively to the commodity form. The need for possessing, consuming, handling and constantly renewing the gadgets, devices, instruments, engines, offered to and imposed upon the people, for using these wares even at the danger of one’s own destruction, has become a “biological” need.
    Herbert Marcuse (1898–1979)