Dutch Football Talent of The Year (Young Player)
The title Dutch Football Talent of the Year (Nederlands Voetbal Talent van het Jaar) has been awarded in the Netherlands since 1984 for footballers under 21. The award was replaced by the Johan Cruijff Prijs in 2003.
| Dutch Football Talent of the Year | |||||||
|---|---|---|---|---|---|---|---|
| Year | Player | Club | |||||
| 1984 | Mario Been (NED) | Feyenoord | |||||
| 1985 | Frans van Rooy (NED) | PSV | |||||
| 1986 | Aron Winter (NED) | Ajax | |||||
| 1987 | Bryan Roy (NED) | Ajax | |||||
| 1988 | Pieter Huistra (NED) | Twente | |||||
| 1989 | Richard Witschge (NED) | Ajax | |||||
| 1990 | Dennis Bergkamp (NED) | Ajax | |||||
| 1991 | Gaston Taument (NED) | Feyenoord | |||||
| 1992 | Marc Overmars (NED) | Ajax | |||||
| 1993 | Clarence Seedorf (NED) | Ajax | |||||
| 1994 | Clarence Seedorf (NED) | Ajax | |||||
| 1995 | Patrick Kluivert (NED) | Ajax | |||||
| 1996 | Jon Dahl Tomasson (DEN) | Heerenveen | |||||
| 1997 | Boudewijn Zenden (NED) | PSV | |||||
| 1998–99 | Mark van Bommel (NED) | Fortuna Sittard | |||||
| 1999–00 | Arnold Bruggink (NED) | PSV | |||||
| 2000–01 | Rafael van der Vaart (NED) | Ajax | |||||
| 2001–02 | Robin van Persie (NED) | Feyenoord | |||||
| 2002–03 | Arjen Robben (NED) | PSV | |||||
| 2003–04 | John Heitinga (NED) | Ajax | |||||
| Johan Cruijff Prijs | |||||||
| 2002–03 | Arjen Robben (NED) | PSV | |||||
| 2003–04 | Wesley Sneijder (NED) | Ajax | |||||
| 2004–05 | Salomon Kalou (CIV) | Feyenoord | |||||
| 2005–06 | Klaas-Jan Huntelaar (NED) | Ajax | |||||
| 2006–07 | Ibrahim Afellay (NED) | PSV | |||||
| 2007–08 | Miralem Sulejmani (SRB) | Heerenveen | |||||
| 2008–09 | Eljero Elia (NED) | Twente | |||||
| 2009–10 | Gregory van der Wiel (NED) | Ajax | |||||
| 2010–11 | Christian Eriksen (DEN) | Ajax | |||||
|2011-12 | Adam Maher (NED) |AZ |}
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—George Gordon Noel Byron (1788–1824)
“People stress the violence. That’s the smallest part of it. Football is brutal only from a distance. In the middle of it there’s a calm, a tranquility. The players accept pain. There’s a sense of order even at the end of a running play with bodies stewn everywhere. When the systems interlock, there’s a satisfaction to the game that can’t be duplicated. There’s a harmony.”
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