Dutch Art - Twentieth Century

Twentieth Century

Around 1905-1910 pointillism as practiced by Jan Sluyters, Piet Mondrian and Leo Gestel was flourishing. Between 1911 and 1914 all the latest art movements arrived in the Netherlands one after another including cubism, futurism and expressionism. After World War I, De Stijl (the style) was led by Theo van Doesburg and Piet Mondrian and promoted a pure art, consisting only of vertical and horizontal lines, and the use of primary colors.

The Design Academy was established in 1947.

  • Henk Helmantel (1969)

  • Matthijs Roling (1997)

  • Gerrit Rietveld (1917)

  • Leo Gestel (1913)

  • John Rädecker (1950)

  • Theo van Doesburg (1917)

  • Aldo van Eyck and Hannie van Eyck (1989)

  • Jan Snoeck (2001)

European art
Sovereign states
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  • United Kingdom
    • England
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  • Vatican City
States with limited
recognition
  • Abkhazia
  • Kosovo
  • Nagorno-Karabakh Republic
  • Northern Cyprus
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  • Transnistria
Dependencies and
other territories
  • Åland
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  • Gibraltar
  • Guernsey
  • Jan Mayen
  • Jersey
  • Isle of Man
  • Svalbard

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Famous quotes related to twentieth century:

    Hastiness and superficiality are the psychic diseases of the twentieth century, and more than anywhere else this disease is reflected in the press.
    Alexander Solzhenitsyn (b. 1918)

    The phenomenon of nature is more splendid than the daily events of nature, certainly, so then the twentieth century is splendid.
    Gertrude Stein (1874–1946)

    As the twentieth century ends, commerce and culture are coming closer together. The distinction between life and art has been eroded by fifty years of enhanced communications, ever-improving reproduction technologies and increasing wealth.
    Stephen Bayley (b. 1951)

    Advertising is the greatest art form of the twentieth century.
    Marshall McLuhan (1911–1980)

    War is bestowed like electroshock on the depressive nation; thousands of volts jolting the system, an artificial galvanizing, one effect of which is loss of memory. War comes at the end of the twentieth century as absolute failure of imagination, scientific and political. That a war can be represented as helping a people to ‘feel good’ about themselves, their country, is a measure of that failure.
    Adrienne Rich (b. 1929)