Audience
Dushyanth’s target audience has been young adults from ages sixteen to thirty; however, he has influenced audience from ages three to eighty throughout the country. He regularly appears on National TV shows for interviews and performances. Dushyanth has done over 100 interviews/chats appearances on TV and Radio. He has been featured on the cover of nearly 50 different newspapers and Magazines with multiple interviews and coverage from time to time. These newspapers and magazines covers a wide spectrum of all market segments. He is a phenomenon among the young adults for his lively pop music and breath taking dancing moves. He is well respected in Sri Lanka and in South Asia for being a true Michael Jackson inspired artist.
Music - Inspired by one of the most versatile entertainers in the world, Michael Jackson, Dushyanth Weeraman's music has a uniqueness of its own and more or less every song he has released have become big hits in the Sri Lankan POP music scene. Pana Senehasa, Jeththu Noney, Nelum Vilen, Karaliya, Vasana Lovak and Mathake Hasarel are top in the list.
Dancing - Becoming the Sirasa Dancing Star with a flawless journey to the victory, Dushyanth is considered the "most versatile dancer to ever be found in Sri Lanka"
Movie - The Box office hit "Dancing Star" being Dushyanth's debut movie, has been seen by hundreds of thousands of Sri Lankans which became the highest selling movie in that year(2009).
Read more about this topic: Dushyanth Weeraman
Famous quotes containing the word audience:
“The flattering, if arbitrary, label, First Lady of the Theatre, takes its toll. The demands are great, not only in energy but eventually in dramatic focus. It is difficult, if not impossible, for a star to occupy an inch of space without bursting seams, cramping everyone else’s style and unbalancing a play. No matter how self-effacing a famous player may be, he makes an entrance as a casual neighbor and the audience interest shifts to the house next door.”
—Helen Hayes (1900–1993)
“I read a part of the story of my excursion to Ktaadn to quite a large audience of men and boys, the other night, whom it interested. It contains many facts and some poetry.”
—Henry David Thoreau (1817–1862)
“We are born at the rise of the curtain and we die with its fall, and every night in the presence of our patrons we write our new creation, and every night it is blotted out forever; and of what use is it to say to audience or to critic, “Ah, but you should have seen me last Tuesday”?”
—Michéal MacLiammóir (1899–1978)