Dushyanth Weeraman - Audience

Audience

Dushyanth’s target audience has been young adults from ages sixteen to thirty; however, he has influenced audience from ages three to eighty throughout the country. He regularly appears on National TV shows for interviews and performances. Dushyanth has done over 100 interviews/chats appearances on TV and Radio. He has been featured on the cover of nearly 50 different newspapers and Magazines with multiple interviews and coverage from time to time. These newspapers and magazines covers a wide spectrum of all market segments. He is a phenomenon among the young adults for his lively pop music and breath taking dancing moves. He is well respected in Sri Lanka and in South Asia for being a true Michael Jackson inspired artist.

Music - Inspired by one of the most versatile entertainers in the world, Michael Jackson, Dushyanth Weeraman's music has a uniqueness of its own and more or less every song he has released have become big hits in the Sri Lankan POP music scene. Pana Senehasa, Jeththu Noney, Nelum Vilen, Karaliya, Vasana Lovak and Mathake Hasarel are top in the list.

Dancing - Becoming the Sirasa Dancing Star with a flawless journey to the victory, Dushyanth is considered the "most versatile dancer to ever be found in Sri Lanka"

Movie - The Box office hit "Dancing Star" being Dushyanth's debut movie, has been seen by hundreds of thousands of Sri Lankans which became the highest selling movie in that year(2009).

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Famous quotes containing the word audience:

    “The audience is the most revered member of the theater. Without an audience there is no theater. Every technique learned by the actor, every curtain, every flat on the stage, every careful analysis by the director, every coordinated scene, is for the enjoyment of the audience. They are our guests, our evaluators, and the last spoke in the wheel which can then begin to roll. They make the performance meaningful.”
    —Viola Spolin (b. 1911)

    “Of the modes of persuasion furnished by the spoken word there are three kinds. The first kind depends on the personal character of the speaker; the second on putting the audience into a certain frame of mind; the third on the proof, provided by the words of the speech itself.”
    —Aristotle (384–323 B.C.)

    “We are born at the rise of the curtain and we die with its fall, and every night in the presence of our patrons we write our new creation, and every night it is blotted out forever; and of what use is it to say to audience or to critic, “Ah, but you should have seen me last Tuesday”?”
    —Michéal MacLiammóir (1899–1978)