Dulha Mil Gaya - Plot

Plot

The film focuses on Donsai (Fardeen Khan), the heir to Dhanraj Empire. Donsai is extremely against marriage; and believes one should never ruin his life by getting married. After the passing of his father, Suraj Rattan Dhanraj, the only way to inherit his father's five billion empire company, is to get married to his friend's Punjabi daughter, Samarpreet (Ishita Sharma). Donsai gets married in Punjab, and tells Samarpreet that he will return to Punjab after three months of business, though Donsai plans not to come back. After three months, Samarpreet comes to Donsai's home to look for him, where she finds him with another woman. She runs out crying, until she is hit by a car. The car owner, Shimmer (Sushmita Sen) picks her up, and takes Samarpreet to her home. When they get to Shimmer's home, it turns out Shimmer is one of Donsai's best friends. After Samarpreet gains consciousness, she tells Shimmer everything Donsai did to her. Shimmer decides to help Samarpreet because when she became a model at 18 years of age everybody knew everybody wanted to know her, but when she was a 14-year-old girl and strived to be popular nobody knew her. Shimmer gives Samarpreet a complete makeover . She even changes her name to "Samara". After Donsai sees Samara (not knowing that it is his own wife), he starts to love her. He invites her to his yacht, and decides to propose to her there. At the same time, Shimmer's plan is ruined, where her boyfriend Pawan Raj Gandhi (Shahrukh Khan) turns up unexpectidly for Karwa Chauth. P.R.G offers to help out in the plan as well.

Read more about this topic:  Dulha Mil Gaya

Famous quotes containing the word plot:

    But, when to Sin our byast Nature leans,
    The careful Devil is still at hand with means;
    And providently Pimps for ill desires:
    The Good Old Cause, reviv’d, a Plot requires,
    Plots, true or false, are necessary things,
    To raise up Common-wealths and ruine Kings.
    John Dryden (1631–1700)

    The plot! The plot! What kind of plot could a poet possibly provide that is not surpassed by the thinking, feeling reader? Form alone is divine.
    Franz Grillparzer (1791–1872)

    James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.”
    James Thurber (1894–1961)