History
Starting in 1893, "Buck" Duke started to buy land next to the Raritan River in rural New Jersey. His vision was to create a farm similar to those in North Carolina where he had grown up. He engaged a number of architects and engineers to fulfill his dream including Buckenham & Miller, James Greenleaf and Elizabeth Biddle Shipman. Eventually he had assembled about 2,700 acres (11 km²) of farm and wood lands that contained 45 buildings, 9 lakes, 18 miles of roads and 1.5 miles of stone walls.
Duke died in 1925, and his 12-year old daughter, Doris Duke, gained control of the property after suing her mother. She restored it and moved in at the age of fifteen. She was very invested in the property and made it her main residence. She incorporated innovative ecological farming methods she learned from Louis Bromfield's Malabar Farm. Starting in 1958 she created and designed over a five-year period a unique botanical display in the Horace Trumbauer conservatory and greenhouses known as Duke Gardens. Duke Gardens opened to the public in 1964. Doris Duke died in 1993.
Read more about this topic: Duke Farms
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“When the landscape buckles and jerks around, when a dust column of debris rises from the collapse of a block of buildings on bodies that could have been your own, when the staves of history fall awry and the barrel of time bursts apart, some turn to prayer, some to poetry: words in the memory, a stained book carried close to the body, the notebook scribbled by hand—a center of gravity.”
—Adrienne Rich (b. 1929)
“They are a sort of post-house,where the Fates
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Excepting the post-obits of theology.”
—George Gordon Noel Byron (1788–1824)
“Postmodernism is, almost by definition, a transitional cusp of social, cultural, economic and ideological history when modernism’s high-minded principles and preoccupations have ceased to function, but before they have been replaced with a totally new system of values. It represents a moment of suspension before the batteries are recharged for the new millennium, an acknowledgment that preceding the future is a strange and hybrid interregnum that might be called the last gasp of the past.”
—Gilbert Adair, British author, critic. Sunday Times: Books (London, April 21, 1991)