Dudley Nichols (April 6, 1895 – January 4, 1960) was an American screenwriter who first came to prominence after winning and refusing the screenwriting Oscar for The Informer in 1936.
The reason for Nichols' refusal was the fact that the Screen Writers Guild was on strike at the time.
Nichols wrote the screenplays for over sixty movies including such classics as Stagecoach (1939), For Whom the Bell Tolls (1943), Scarlet Street (1945), And Then There Were None (1945) and The Tin Star (1957).
Nichols' crowning achievement, though, was probably his collaboration with Hagar Wilde on the screenplay for Bringing Up Baby (1938), considered one of the funniest of the 1930s screwball comedies. This movie, directed by Howard Hawks and starring Katharine Hepburn and Cary Grant, was underappreciated on first release but later recognized as a unique classic.
Dudley Nichols served as president of the Screen Writers Guild during 1937 and 1938.
He worked on many films and for many years with director John Ford.
Nichols has the interesting distinction of being the first artist to refuse an Academy Award, an act followed by George C. Scott and Marlon Brando.
Nichols was born in Wapakoneta, Ohio. He studied at the University of Michigan where he was active member of the Sigma Chapter of Theta Xi fraternity. He died in Hollywood from cancer in 1960 and was interred there in the Hollywood Forever Cemetery.
Famous quotes by dudley nichols:
“Every time we get near the land you get that look on your face. When a man goes to sea, he ought to give up thinking about things on shore. Land don’t want him no more. I’ve had me share of things go wrong and all come from the land. Now I’m through with the land and the land’s through with me.”
—Dudley Nichols (1895–1960)
“You can make children believe whatever you want, and the children of today are the soldiers and mothers of tomorrow.”
—Dudley Nichols, U.S. screenwriter. Jean Renoir. Major Von Keller (Walter Slezak)
“I devoutly believe it is the writer who has matured the film medium more than anyone else in Hollywood. Even when he knew nothing about his work, he brought at least knowledge of life and a more grown-up mind, a maturer feeling about the human being.”
—Dudley Nichols (1895–1960)
“Frankie! Frankie! Your mother forgives me.”
—Dudley Nichols (1895–1960)