Dudley Moore - Early Life

Early Life

Moore was born in Charing Cross Hospital, London, the son of Ada Francis (née Hughes), a secretary, and John Moore, a railway electrician. He was brought up in Dagenham, London. He was notably short: 5 ft 2.5 in (1.588 m) and was born with club feet that required extensive hospital treatment and which, coupled with his diminutive stature, made him the butt of jokes from other children. His right foot responded well to corrective treatment and had straightened itself by the time he was six, but his left foot became permanently twisted and consequently his left leg below the knee was withered. Seeking refuge from his problems, he became a choirboy at the age of six and took up piano and violin. He rapidly developed into a highly talented pianist and organist and was playing the pipe organ at church weddings by the age of 14. He attended Dagenham County High School (now The Sydney Russell School) where he received musical tuition from a dedicated teacher, Peter Cork. Cork became a friend and confidant to Moore, corresponding with him until 1994.

Moore's musical talent won him an organ scholarship to Magdalen College, Oxford. While studying music and composition there, he also performed with Alan Bennett in the Oxford Revue. Bennett then recommended him to the producer putting together Beyond the Fringe, a comedy revue, where he was to first meet Peter Cook. Beyond the Fringe was at the forefront of the 1960s satire boom and after success in Britain it transferred to the United States, where it was also a hit.

During his university years, Moore took a great interest in jazz and soon became an accomplished jazz pianist and composer. He began working with such leading musicians as John Dankworth and Cleo Laine. In 1960, he left Dankworth's band to work on Beyond the Fringe. During the 1960s he formed the Dudley Moore Trio, with drummer Chris Karan and bassist Pete McGurk. McGurk was replaced, after eight years in the trio, by Peter Morgan, after he committed suicide in June 1968.

Moore's admitted principal musical influences were Oscar Peterson and Erroll Garner. In an interview he recalled the day he finally mastered Garner's unique left-hand strum and was so excited that he walked around for several days with his left hand constantly playing that cadence. His early recordings included "My Blue Heaven", "Lysie Does It", "Poova Nova", "Take Your Time", "Indiana", "Sooz Blooz", "Baubles, Bangles & Beads", "Sad One for George" and "Autumn Leaves". The trio performed regularly on British television, made numerous recordings and had a long-running residency at Peter Cook's London nightclub, The Establishment.

Moore composed the soundtracks for the films Bedazzled, Inadmissible Evidence, Staircase and Six Weeks, among others.