Dub poetry is a form of performance poetry of West Indian origin, which evolved out of dub music consisting of spoken word over reggae rhythms in Jamaica in the 1970s. Unlike dee jaying (also known as toasting), which also features the use of the spoken word, the dub poet's performance is normally prepared, rather than the extemporized chat of the dancehall dee jay. In musical setting, the dub poet usually appears on stage with a band performing music specifically written to accompany each poem, rather than simply perform over the top of dub plates, or riddims, in the dancehall fashion. Musicality is built into dub poems, yet, dub poets generally perform without backing music, delivering chanted speech with pronounced rhythmic accentuation and dramatic stylization of gesture. Sometimes dub music effects, e.g. echo, reverb, are dubbed spontaneously by a poet into live versions of a poem. Many dub poets also employ call-and-response devices to engage audiences.
Read more about Dub Poetry: Political Nature, Notable Albums, Toronto, United Kingdom, Notable Dub Poets
Famous quotes containing the words dub and/or poetry:
“Whom do we dub as Gentleman? The
Knave, the fool, the brute—
If they but own full tithe of gold, and
Wear a courtly suit.”
—Eliza Cook (1818–1889)
“I regard a love for poetry as one of the most needful and helpful elements in the life- outfit of a human being. It was the greatest of blessings to me, in the long days of toil to which I was shut in much earlier than most young girls are, that the poetry I held in my memory breathed its enchanted atmosphere through me and around me, and touched even dull drudgery with its sunshine.”
—Lucy Larcom (1824–1893)