Drubskin - Features and Published Works

Features and Published Works

  • Freshmen Magazine, 2002, illustration for story Chemistry
  • Solanas Online – Issue 2, 2003, Drub Coloring Book
  • Instigator Magazine – 2/15/04 – Featured Artist
  • Blue Magazine, Issue 52 – 9/01/04 – Featured Artist
  • 'Turnover:, Malware ed. AIDS Project Los Angeles: The Institute for Gay Men’s Health, 2005, ISBN 0-9759225-4-8
  • BuzzcockNYC Monthly Party, 8/31/06 – New York City, poster art
  • Best Gay Erotica 2007, Welcome Back Fuck ed. Richard Labonte, written Dale Lazarov, art by Drub, 2007, ISBN 1-57344-260-7
  • Hard To Swallow Comics #3, Dem Bones All Thumbs Press/Marginalized Publications, 2007, ISBN 978-0-9778011-2-1
  • Best Erotic Comics 2009, Dem Bones ed. Greta Christina, Last Gasp, 2009, ISBN 0-86719-711-0

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Famous quotes containing the words published works, features, published and/or works:

    Literature that is not the breath of contemporary society, that dares not transmit the pains and fears of that society, that does not warn in time against threatening moral and social dangers—such literature does not deserve the name of literature; it is only a façade. Such literature loses the confidence of its own people, and its published works are used as wastepaper instead of being read.
    Alexander Solzhenitsyn (b. 1918)

    The features of our face are hardly more than gestures which force of habit made permanent. Nature, like the destruction of Pompeii, like the metamorphosis of a nymph into a tree, has arrested us in an accustomed movement.
    Marcel Proust (1871–1922)

    I saw the best minds of my generation
    Reading their poems to Vassar girls,
    Being interviewed by Mademoiselle.
    Having their publicity handled by professionals.
    When can I go into an editorial office
    And have my stuff published because I’m weird?
    I could go on writing like this forever . . .
    Louis Simpson (b. 1923)

    The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.
    Freya Stark (b. 1893–1993)