Composition
The crossover album was planned as a pop album, consisting of confessional love songs and contemporary R&B duets. Betty Cortina from People magazine wrote: "It was really a transition not only from a marketing point-of-view but really from a creative point-of-view, in the most fundamental ways for her ... ". Selena told numerous interviewers that she was going to sing a pop ballad with John Secada. After Selena's murder SBK Records proposed that EMI Latin finish the album and update SBK on its progress, while SBK Records removed themselves as affiliates; however, Selena's contract with EMI Latin was still active and EMI Latin took control of the project and collaborated on remix sessions with Q-Productions. EMI Latin and EMI Records wanted to transform Selena's musical style from Tejano-pop to Pop and contemporary R&B, which would give Selena her desired crossover. The album's booklet states that Selena displayed an instinctive ability to convey passion and sentiment in a variety of ways, and that the first half of the album, " ... spotlighted Selena wrapping her creamy seductive mezzo sound around slow confessionals such as 'I Could Fall in Love', 'Missing My Baby', and the title track."
Read more about this topic: Dreaming Of You (album)
Famous quotes containing the word composition:
“There was not a grain of poetry in the whole composition of Lord Fawn, and poetry was what her very soul craved;Mpoetry, together with houses, champagne, jewels, and admiration.”
—Anthony Trollope (1815–1882)
“Since body and soul are radically different from one another and belong to different worlds, the destruction of the body cannot mean the destruction of the soul, any more than a musical composition can be destroyed when the instrument is destroyed.”
—Oscar Cullman. Immortality of the Soul or Resurrection of the Dead? The Witness of the New Testament, ch. 1, Epworth Press (1958)
“Boswell, when he speaks of his Life of Johnson, calls it my magnum opus, but it may more properly be called his opera, for it is truly a composition founded on a true story, in which there is a hero with a number of subordinate characters, and an alternate succession of recitative and airs of various tone and effect, all however in delightful animation.”
—James Boswell (1740–1795)