Dreamer (Haste The Day Album)

Dreamer (Haste The Day Album)

Dreamer is the fourth studio album by Christian metalcore band Haste the Day. The album was released on October 14, 2008 through Solid State Records. A song from the album, entitled "68" was released on the band's MySpace on August 1. A second new song, the second track off the album entitled "Mad Man," was made available for download on iTunes September 9. The third song Haste the Day has announced the release of is "Haunting," which was posted on the band's Myspace on September 6, 2008. The final track on the album, "Autumn" is originally from Haste the Day's first release That They May Know You. They released a music video for the song Mad Man on February 24, 2009. This is the last album to feature Devin Chaulk, Brennan Chaulk and Jason Barnes (although Jason Barnes went uncredited; he had been fired from the band earlier in the year after having decided to become an atheist).

The album sold 7,700 copies in the United States in its first week of release to debut at position No. 68 on The Billboard 200 chart.

On March 2, 2010, the album was released digitally with new artwork and two acoustic bonus tracks.

Read more about Dreamer (Haste The Day Album):  Track Listing, Digital Re-release, Credits, Trivia

Famous quotes containing the words dreamer and/or day:

    I am a dreamer of words, of written words. I think I am reading; a word stops me. I leave the page. The syllables of the word begin to move around. Stressed accents begin to invert. The word abandons its meaning like an overload which is too heavy and prevents dreaming. Then words take on other meanings as if they had the right to be young. And the words wander away, looking in the nooks and crannies of vocabulary for new company, bad company.
    Gaston Bachelard (1884–1962)

    Any one who knows what the worth of family affection is among the lower classes, and who has seen the array of little portraits stuck over a labourer’s fireplace ... will perhaps feel with me that in counteracting the tendencies, social and industrial, which every day are sapping the healthier family affections, the sixpenny photograph is doing more for the poor than all the philanthropists in the world.
    Macmillan’s Magazine (London, September 1871)