Criticism
Opponents of the DREAM Act argue that it encourages and rewards illegal immigration, acting as a "magnet" attracting more illegal immigrants and creating a chain migration by family members. Other stands include viewing it as importing poverty and cheap labor, being a military recruitment tool, having economic and social burdens (subsidies from state and federal taxes, degradation of the public school system and neighborhoods), and as being unfair to American-born and legal immigrant parents and children who must pay full tuition at state universities and colleges. Some concerns center on the parameters of the proposal, specifically that it would admit individuals who have already formed their identities overseas (i.e. people who arrived up to age 16), that undocumented immigrants up to age 35 are allowed to legalize through it, that it would result in massive fraud similar to the 1986 amnesty, and that it will encourage additional undocumented immigration. There are additional concerns that the DREAM Act will shield gang members from deportation.
Read more about this topic: DREAM Act
Famous quotes containing the word criticism:
“The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism.... Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.”
—Camille Paglia (b. 1947)
“It is ... pathetic to observe the complete lack of imagination on the part of certain employers and men and women of the upper-income levels, equally devoid of experience, equally glib with their criticism ... directed against workers, labor leaders, and other villains and personal devils who are the objects of their dart-throwing. Who doesn’t know the wealthy woman who fulminates against the “idle” workers who just won’t get out and hunt jobs?”
—Mary Barnett Gilson (1877–?)
“Cubism had been an analysis of the object and an attempt to put it before us in its totality; both as analysis and as synthesis, it was a criticism of appearance. Surrealism transmuted the object, and suddenly a canvas became an apparition: a new figuration, a real transfiguration.”
—Octavio Paz (b. 1914)