Criticism
Opponents of the DREAM Act argue that it encourages and rewards illegal immigration, acting as a "magnet" attracting more illegal immigrants and creating a chain migration by family members. Other stands include viewing it as importing poverty and cheap labor, being a military recruitment tool, having economic and social burdens (subsidies from state and federal taxes, degradation of the public school system and neighborhoods), and as being unfair to American-born and legal immigrant parents and children who must pay full tuition at state universities and colleges. Some concerns center on the parameters of the proposal, specifically that it would admit individuals who have already formed their identities overseas (i.e. people who arrived up to age 16), that undocumented immigrants up to age 35 are allowed to legalize through it, that it would result in massive fraud similar to the 1986 amnesty, and that it will encourage additional undocumented immigration. There are additional concerns that the DREAM Act will shield gang members from deportation.
Read more about this topic: DREAM Act
Famous quotes containing the word criticism:
“It is the will of God that we must have critics, and missionaries, and Congressmen, and humorists, and we must bear the burden. Meantime, I seem to have been drifting into criticism myself. But that is nothing. At the worst, criticism is nothing more than a crime, and I am not unused to that.”
—Mark Twain [Samuel Langhorne Clemens] (1835–1910)
“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
—George Steiner (b. 1929)
“Cubism had been an analysis of the object and an attempt to put it before us in its totality; both as analysis and as synthesis, it was a criticism of appearance. Surrealism transmuted the object, and suddenly a canvas became an apparition: a new figuration, a real transfiguration.”
—Octavio Paz (b. 1914)