Dramatic Soprano - Dramatic Roles

Dramatic Roles

  • Abigaille, Nabucco (Verdi)
  • Amelia, Un ballo in maschera (Verdi)
  • Arabella, Arabella (Richard Strauss)
  • Ariadne, Ariadne auf Naxos (Richard Strauss)
  • Cassandre, Les Troyens (Berlioz)
  • Chrysothemis, Elektra (Richard Strauss)
  • Elisabeth, Tannhäuser (Wagner)
  • Elsa, Lohengrin (Wagner)
  • Gioconda, La Gioconda (Ponchielli)
  • Giulietta, Les contes d'Hoffmann (Offenbach)
  • Vanessa, Vanessa (Samuel Barber)
  • Leonore/Fidelio, Fidelio (Beethoven)
  • Maddalena, Andrea Chénier (Giordano)
  • Minnie, La fanciulla del West (Giacomo Puccini)
  • Norma, Norma (Vincenzo Bellini)
  • Odabella, Attila (Verdi)
  • Santuzza, Cavalleria rusticana (Mascagni)
  • Sieglinde, Die Walküre (Wagner)
  • Salomé, Salomé (Richard Strauss)
  • Sélika, L'Africaine (Giacomo Meyerbeer)
  • Die Kaiserin, Die Frau ohne Schatten (Richard Strauss)
  • Helena, Die ägyptische Helena (Richard Strauss)

Read more about this topic:  Dramatic Soprano

Famous quotes containing the words dramatic and/or roles:

    The mere mechanical technique of acting can be taught, but the spirit that is to give life to lifeless forms must be born in a man. No dramatic college can teach its pupils to think or to feel. It is Nature who makes our artists for us, though it may be Art who taught them their right mode of expression.
    Oscar Wilde (1854–1900)

    Productive collaborations between family and school, therefore, will demand that parents and teachers recognize the critical importance of each other’s participation in the life of the child. This mutuality of knowledge, understanding, and empathy comes not only with a recognition of the child as the central purpose for the collaboration but also with a recognition of the need to maintain roles and relationships with children that are comprehensive, dynamic, and differentiated.
    Sara Lawrence Lightfoot (20th century)