Recent History
Before Georgia Tech became coeducation and continuing until 1987, Agnes Scott College students and members of the community played women's roles and other roles that Georgia Tech students could not logically portray. Just as the Marionettes had in previous years, DramaTech produced critically acclaimed plays that were popular with the community, particularly during the long leadership of Atlanta actress Mary Nell Ivey Santacroce. Santacroce (1918-1999) directed nearly all of DramaTech's productions from 1949 until 1966. Other directors have included Sylvia Zsuffa (1947-1948), Zenas Sears (1948-1949), Gerard Appy (1952-1953), Charles J. Pecor (1967-1971), Dr. Fergus G. "Tad" Currie (1971-1973), Dana Ivey (1974-1977), Becky Dettra (1977-1980), David Califf (1980-1983), Scott Rousseau (1983-1984), and Greg Abbott (1984-2006).
In 1992, DramaTech finally acquired a permanent home with the dedication of the Dean James Dull Theatre at the back of the Robert Ferst Center for the Arts. Dean Emeritus Dull and his wife Gay, long-time supporters of DramaTech, established the Gay K. Dull Scholarship awarded to seniors who have been involved with the organization. Dean Dull died on March 22, 2009.
Gregory Abbott, long-time artistic director of DramaTech died in December, 2006. Friends of DramaTech (FODT), the DramaTech alumni organization, offers the Gregory B. Abbott DramaTech Scholarship in his honor to current DramaTech students.
DramaTech Alumnus Tony Vila created a database with the list of all past shows and the cast and crew list.
Melissa Foulger is the current artistic director, having joined DramaTech in Fall 2008.
Famed actor George P. Burdell started his career here.
Read more about this topic: Drama Tech, History
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“The history of the genesis or the old mythology repeats itself in the experience of every child. He too is a demon or god thrown into a particular chaos, where he strives ever to lead things from disorder into order.”
—Ralph Waldo Emerson (1803–1882)
“Literary works cannot be taken over like factories, or literary forms of expression like industrial methods. Realist writing, of which history offers many widely varying examples, is likewise conditioned by the question of how, when and for what class it is made use of.”
—Bertolt Brecht (1898–1956)