The Drama Desk Award for Outstanding Featured Actor in a Play is presented by the Drama Desk, a committee of New York City theatre critics, writers, and editors. It honors performances by actors in supporting roles in productions staged on Broadway, off-Broadway, off-off-Broadway, and for legitimate not-for-profit theaters.
It was not until the 21st Annual Drama Desk Awards in 1975 that a specific category for Outstanding Featured Actor in a Play was created. That year's recipient was Frank Langella in Seascape, who won over Louis Beachner in The National Health, Larry Blyden in Absurd Person Singular, David Dukes in Love for Love and Rules of the Game, Philip Locke in Sherlock Holmes, and Richard Williams in Black Picture Show.
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“The drama is complete poetry. The ode and the epic contain it only in germ; it contains both of them in a state of high development, and epitomizes both.”
—Victor Hugo (1802–1885)
“There was a girl who was running the traffic desk, and there was a woman who was on the overnight for radio as a producer, and my desk assistant was a woman. So when the world came to an end, we took over.”
—Marya McLaughlin, U.S. television newswoman. As quoted in Women in Television News, ch. 3, by Judith S. Gelfman (1976)
“The award of a pure gold medal for poetry would flatter the recipient unduly: no poem ever attains such carat purity.”
—Robert Graves (1895–1985)
“Both Socrates and Jesus were outstanding teachers; both of them urged and practiced great simplicity of life; both were regarded as traitors to the religion of their community; neither of them wrote anything; both of them were executed; and both have become the subject of traditions that are difficult or impossible to harmonize.”
—Jaroslav Pelikan (b. 1932)
“The actor can be compared to the soldier. The former dazzled by his triumphs, sighs continually for the struggles of stage- life; the latter filled with the glory he has acquired on the battlefield, cannot resign himself to peace.”
—Adelaide Ristori (1822–1906)
“The worst constructed play is a Bach fugue when compared to life.”
—Helen Hayes (1900–1993)