The Drama Desk Award for Outstanding Featured Actor in a Play is presented by the Drama Desk, a committee of New York City theatre critics, writers, and editors. It honors performances by actors in supporting roles in productions staged on Broadway, off-Broadway, off-off-Broadway, and for legitimate not-for-profit theaters.
It was not until the 21st Annual Drama Desk Awards in 1975 that a specific category for Outstanding Featured Actor in a Play was created. That year's recipient was Frank Langella in Seascape, who won over Louis Beachner in The National Health, Larry Blyden in Absurd Person Singular, David Dukes in Love for Love and Rules of the Game, Philip Locke in Sherlock Holmes, and Richard Williams in Black Picture Show.
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“Only in the problem play is there any real drama, because drama is no mere setting up of the camera to nature: it is the presentation in parable of the conflict between Man’s will and his environment: in a word, of problem.”
—George Bernard Shaw (1856–1950)
“We must rest here, for this is where the teacher comes.
On his desk stands a vase of tears.”
—John Ashbery (b. 1927)
“The award of a pure gold medal for poetry would flatter the recipient unduly: no poem ever attains such carat purity.”
—Robert Graves (1895–1985)
“Both Socrates and Jesus were outstanding teachers; both of them urged and practiced great simplicity of life; both were regarded as traitors to the religion of their community; neither of them wrote anything; both of them were executed; and both have become the subject of traditions that are difficult or impossible to harmonize.”
—Jaroslav Pelikan (b. 1932)
“An actor must communicate his author’s given message—comedy, tragedy, serio- comedy; then comes his unique moment, as he is confronted by the looked-for, yet at times unexpected, reaction of the audience. This split second is his; he is in command of his medium; the effect vanishes into thin air; but that moment has a power all its own and, like power in any form, is stimulating and alluring.”
—Eleanor Robson Belmont (1878–1979)
“Many a play is like a painted backdrop, something to be looked at from the front. An Ibsen play is like a black forest, something you can enter, something you can walk about in. There you can lose yourself: you can lose yourself. And once inside, you find such wonderful glades, such beautiful, sunlit places.”
—Minnie Maddern Fiske (1865–1932)