The Drama Desk Award for Outstanding Featured Actor in a Play is presented by the Drama Desk, a committee of New York City theatre critics, writers, and editors. It honors performances by actors in supporting roles in productions staged on Broadway, off-Broadway, off-off-Broadway, and for legitimate not-for-profit theaters.
It was not until the 21st Annual Drama Desk Awards in 1975 that a specific category for Outstanding Featured Actor in a Play was created. That year's recipient was Frank Langella in Seascape, who won over Louis Beachner in The National Health, Larry Blyden in Absurd Person Singular, David Dukes in Love for Love and Rules of the Game, Philip Locke in Sherlock Holmes, and Richard Williams in Black Picture Show.
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“The drama critic on your paper said my chablis-tinted hair was like a soft halo over wide set, inviting eyes, and my mouth, my mouth was a lush tunnel through which golden notes came.”
—Samuel Fuller (b. 1911)
“There was a girl who was running the traffic desk, and there was a woman who was on the overnight for radio as a producer, and my desk assistant was a woman. So when the world came to an end, we took over.”
—Marya McLaughlin, U.S. television newswoman. As quoted in Women in Television News, ch. 3, by Judith S. Gelfman (1976)
“The award of a pure gold medal for poetry would flatter the recipient unduly: no poem ever attains such carat purity.”
—Robert Graves (1895–1985)
“For generations, a wide range of shooting in Northern Ireland has provided all sections of the population with a pastime which ... has occupied a great deal of leisure time. Unlike many other countries, the outstanding characteristic of the sport has been that it was not confined to any one class.”
—Northern Irish Tourist Board. quoted in New Statesman (London, Aug. 29, 1969)
“A personality is an indefinite quantum of traits which is subject to constant flux, change, and growth from the birth of the individual in the world to his death. A character, on the other hand, is a fixed and definite quantum of traits which, though it may be interpreted with slight differences from age to age and actor to actor, is nevertheless in its essentials forever fixed.”
—Hubert C. Heffner (1901–1985)
“I would suggest that barbarism be considered as a permanent and universal human characteristic which becomes more or less pronounced according to the play of circumstances.”
—Simone Weil (1910–1943)