The Drama Desk Award for Outstanding Featured Actor in a Play is presented by the Drama Desk, a committee of New York City theatre critics, writers, and editors. It honors performances by actors in supporting roles in productions staged on Broadway, off-Broadway, off-off-Broadway, and for legitimate not-for-profit theaters.
It was not until the 21st Annual Drama Desk Awards in 1975 that a specific category for Outstanding Featured Actor in a Play was created. That year's recipient was Frank Langella in Seascape, who won over Louis Beachner in The National Health, Larry Blyden in Absurd Person Singular, David Dukes in Love for Love and Rules of the Game, Philip Locke in Sherlock Holmes, and Richard Williams in Black Picture Show.
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“Narrative prose is a legal wife, while drama is a posturing, boisterous, cheeky and wearisome mistress.”
—Anton Pavlovich Chekhov (1860–1904)
“It’s true, as Marya Mannes says: “No one believes [a woman’s] time to be sacred. A man at his desk in a room with a closed door is a man at work. A woman at a desk in any room is available.””
—Lillian Breslow Rubin (20th century)
“The award of a pure gold medal for poetry would flatter the recipient unduly: no poem ever attains such carat purity.”
—Robert Graves (1895–1985)
“From time to time there appear on the face of the earth men of rare and consummate excellence, who dazzle us by their virtue, and whose outstanding qualities shed a stupendous light. Like those extraordinary stars of whose origins we are ignorant, and of whose fate, once they have vanished, we know even less, such men have neither forebears nor descendants: they are the whole of their race.”
—Jean De La Bruyère (1645–1696)
“While we look to the dramatist to give romance to realism, we ask of the actor to give realism to romance.”
—Oscar Wilde (1854–1900)
“As the creative adult needs to toy with ideas, the child, to form his ideas, needs toys—and plenty of leisure and scope to play with them as he likes, and not just the way adults think proper. This is why he must be given this freedom for his play to be successful and truly serve him well.”
—Bruno Bettelheim (20th century)