The Drama Desk Award for Outstanding Featured Actor in a Play is presented by the Drama Desk, a committee of New York City theatre critics, writers, and editors. It honors performances by actors in supporting roles in productions staged on Broadway, off-Broadway, off-off-Broadway, and for legitimate not-for-profit theaters.
It was not until the 21st Annual Drama Desk Awards in 1975 that a specific category for Outstanding Featured Actor in a Play was created. That year's recipient was Frank Langella in Seascape, who won over Louis Beachner in The National Health, Larry Blyden in Absurd Person Singular, David Dukes in Love for Love and Rules of the Game, Philip Locke in Sherlock Holmes, and Richard Williams in Black Picture Show.
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“By whatever means it is accomplished, the prime business of a play is to arouse the passions of its audience so that by the route of passion may be opened up new relationships between a man and men, and between men and Man. Drama is akin to the other inventions of man in that it ought to help us to know more, and not merely to spend our feelings.”
—Arthur Miller (b. 1915)
“It’s true, as Marya Mannes says: “No one believes [a woman’s] time to be sacred. A man at his desk in a room with a closed door is a man at work. A woman at a desk in any room is available.””
—Lillian Breslow Rubin (20th century)
“The award of a pure gold medal for poetry would flatter the recipient unduly: no poem ever attains such carat purity.”
—Robert Graves (1895–1985)
“The theater is a baffling business, and a shockingly wasteful one when you consider that people who have proven their worth, who have appeared in or been responsible for successful plays, who have given outstanding performances, can still, in the full tide of their energy, be forced, through lack of opportunity, to sit idle season after season, their enthusiasm, their morale, their very talent dwindling to slow gray death. Of finances we will not even speak; it is too sad a tale.”
—Ilka Chase (1905–1978)
“As soon as I suspect a fine effect is being achieved by accident I lose interest. I am not interested ... in unskilled labor.... The scientific actor is an even worker. Any one may achieve on some rare occasion an outburst of genuine feeling, a gesture of imperishable beauty, a ringing accent of truth; but your scientific actor knows how he did it. He can repeat it again and again and again. He can be depended on.”
—Minnie Maddern Fiske (1865–1932)
“To play safe, I prefer to accept only one type of power: the power of art over trash, the triumph of magic over the brute.”
—Vladimir Nabokov (1899–1977)