History
The legend of Dragon's Beard Candy was first notably practiced during the Chinese Han Dynasty. As the story recounts, an imperial court chef entertained the Emperor one day by performing steps involved in making a new confection. The process of making the candy involved stretching a dough-like mixture composed from rice flour into small, thin strands. These strands reminded the Emperor of a dragon's beard, and were sticky enough to adhere to one's face quite easily, so thus the concoction was there-forth named as Dragon's Beard Candy. The name may also be attributed to the status of the mythical dragon as a symbol of Chinese Emperor, so presenting the confection as Dragon's Beard Candy was deemed acceptable due to the social nature of the candy, as it was reserved only for the ruling class, likely due additionally to the complexity of the preparation process. Dragon's Beard Candy provided a source of conflict several centuries later, however, as during the Chinese Cultural Revolution the Red Guard, acting in accordance to the orders of the Communist Party of China, forbade the Chinese populace to hold activities that could be attributed to the Han Dynasty. Because the initially rare nature of the candy was at this point combined with government enforcement of disdaining this art, the craft of making Dragon's Beard Candy became even more isolated and sparsely practiced. Nevertheless, in recent years, the art has resurfaced in tourist destinations such as various street festivals, and has even spread to farther reaches of the globe through dedicated masters of the task. One of the more famous instances of this occurrence involved the spread of Dragon's Beard Candy to Montreal, Canada, through a Hong Kong-born Canadian named Johnny Chin who began practicing the theatrical candy-making art in Montreal in 1991.
Read more about this topic: Dragon's Beard Candy
Famous quotes containing the word history:
“Books of natural history aim commonly to be hasty schedules, or inventories of God’s property, by some clerk. They do not in the least teach the divine view of nature, but the popular view, or rather the popular method of studying nature, and make haste to conduct the persevering pupil only into that dilemma where the professors always dwell.”
—Henry David Thoreau (1817–1862)
“The history of all Magazines shows plainly that those which have attained celebrity were indebted for it to articles similar in natureto Berenice—although, I grant you, far superior in style and execution. I say similar in nature. You ask me in what does this nature consist? In the ludicrous heightened into the grotesque: the fearful coloured into the horrible: the witty exaggerated into the burlesque: the singular wrought out into the strange and mystical.”
—Edgar Allan Poe (1809–1849)
“I believe that history has shape, order, and meaning; that exceptional men, as much as economic forces, produce change; and that passé abstractions like beauty, nobility, and greatness have a shifting but continuing validity.”
—Camille Paglia (b. 1947)