Production
The film is based upon the biography Bruce Lee: The Man Only I Knew, written by Linda Lee Cadwell, Bruce Lee's widow.
The role for Bruce Lee was first offered to his real-life son Brandon Lee, who declined. Brandon Lee died in a fatal shooting accident while filming for the film The Crow in March 1993, less than two months before this film's release. The film is dedicated to his memory at the end credits. In the film Brandon was portrayed as a child by Iain M. Parker.
To prepare for their roles both lead actors Jason Scott Lee and Lauren Holly trained in Bruce Lee's Martial Art Jeet Kune Do for months under former Lee student-turned-instructor Jerry Poteet. Jason Scott Lee has continued to train in Jeet Kune Do under Poteet since 1993.
Jerry Poteet also portrays himself in the film, he can be seen in the background of many scenes. Van Williams, who played The Green Hornet in the 1960s TV series of the same name appears as the director of The Green Hornet in this film. Bruce Lee's daughter, Shannon Lee, has a cameo appearance as a singer in the party scene (singing "California Dreamin'"), at which Linda tells Bruce she is pregnant for the second time – carrying Shannon.
The tombstone that Bruce is forced to see when confronting his demon towards the end of film is the actual tombstone of Bruce Lee. The picture on it is different from the one that is actually on the real one but the date of birth, date of death and the epitaph are the same.
Read more about this topic: Dragon: The Bruce Lee Story
Famous quotes containing the word production:
“It is part of the educator’s responsibility to see equally to two things: First, that the problem grows out of the conditions of the experience being had in the present, and that it is within the range of the capacity of students; and, secondly, that it is such that it arouses in the learner an active quest for information and for production of new ideas. The new facts and new ideas thus obtained become the ground for further experiences in which new problems are presented.”
—John Dewey (1859–1952)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“Just as modern mass production requires the standardization of commodities, so the social process requires standardization of man, and this standardization is called equality.”
—Erich Fromm (1900–1980)