Production
Joss Whedon funded the project himself (at just over $200,000) and enjoyed the independence of acting as his own studio. "Freedom is glorious," he comments. "And the fact is, I've had very good relationships with studios, and I've worked with a lot of smart executives. But there is a difference when you can just go ahead and do something." As a web show, there were fewer constraints imposed on the project, and Whedon had the "freedom to just let the dictates of the story say how long it's gonna be. We didn't have to cram everything in—there is a lot in there—but we put in the amount of story that we wanted to and let the time work around that. We aimed for thirty minutes, we came out at forty two, and that's not a problem." Some of the music was influenced by Stephen Sondheim.
The production of the DVD included a contest, announced at Comic-Con, in which fans submitted a three-minute video explaining why they should be inducted into the Evil League of Evil. Ten winning submissions have been added to the DVD release.
Read more about this topic: Dr. Horrible's Sing-Along Blog
Famous quotes containing the word production:
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“The repossession by women of our bodies will bring far more essential change to human society than the seizing of the means of production by workers.”
—Adrienne Rich (b. 1929)
“... if the production of any commodity necessitates the sacrifice of human life, society should do without that commodity, but it can not do without that life.”
—Emma Goldman (1869–1940)