Criticism
The author Giles MacDonogh criticized the film for sympathetic portrayals of Wilhelm Mohnke and Ernst-Günther Schenck. Mohnke was rumored, but never proven to have ordered the execution of a group of British P.O.W.s in the Wormhoudt massacre near Dunkirk in 1940, while Schenck's experiments with medicinal plants in 1938 allegedly led to the deaths of a number of concentration camp prisoners. In answer to this criticism, the film's director, in the DVD commentary, stated he did his own research and did not find the allegations as to Schenck to be convincing. Furthermore, Mohnke strongly denied the accusations against him, telling historian Thomas Fischer, "I issued no orders not to take English prisoners or to execute prisoners."
German director Wim Wenders called the filmmakers' collaboration with a history professor "a strategic move to compile cultural capital and move the film beyond the reach of reprehensibility, challenge, or contradiction by writers or critics unwilling to engage the material other than by pointing out historical inaccuracies." He felt that the film said: "Wir wissen, wovon wir reden" ("We know what we're talking about"). Further, Wenders argued that Der Untergang presented an uncritical viewpoint toward the barbarism of its subject matter, and accused the filmmakers of "Verharmlosung" ("trivialising"). Wenders supported this observation with close readings of the film's first scene, and of Hitler's final scene, suggesting that in each case a particular set of cinematographic and editorial choices left each scene emotionally charged, resulting in a glorifying effect.
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