Hollywood
Fairbanks' father was one of cinema's first icons, noted for such swashbuckling adventure films as The Mark of Zorro, Robin Hood and The Thief of Bagdad. Largely on the basis of his father's name, Fairbanks, Jr. was given a contract with Paramount Pictures at age 14. After making some undistinguished films, he took to the stage, where he impressed his father, his stepmother Mary Pickford, and Charlie Chaplin, who encouraged him to continue with acting.
He began his career during the silent film era. He initially played mainly supporting roles in a range of films featuring many of the leading female players of the day: Belle Bennett in Stella Dallas (1925), Esther Ralston in An American Venus (1926) and Pauline Starke in Women Love Diamonds (1927). In the last years of the silent period, he was upped to star billing opposite Loretta Young in several pre-Code films and Joan Crawford in Our Modern Maidens (1929). He supported John Gilbert and Greta Garbo in Woman of Affairs (1929). Progressing to sound, he played opposite Katharine Hepburn in her Oscar-winning role in the film Morning Glory (1933).
With Outward Bound (1930), The Dawn Patrol (1930), Little Caesar (1931), Prisoner of Zenda (1937), and Gunga Din (1939), his movies began to have more commercial success.
Read more about this topic: Douglas Fairbanks, Jr.
Famous quotes containing the word hollywood:
“To say I accept in an age like our own is to say that you accept concentration-camps, rubber truncheons, Hitler, Stalin, bombs, aeroplanes, tinned food, machine guns, putsches, purges, slogans, Bedaux belts, gas-masks, submarines, spies, provocateurs, press-censorship, secret prisons, aspirins, Hollywood films and political murder.”
—George Orwell (19031950)
“Just like those other black holes from outer space, Hollywood is postmodern to this extent: it has no center, only a spreading dead zone of exhaustion, inertia, and brilliant decay.”
—Arthur Kroker (b. 1945)
“Whoever invented the meeting must have had Hollywood in mind. I think they should consider giving Oscars for meetings: Best Meeting of the Year, Best Supporting Meeting, Best Meeting Based on Material from Another Meeting.”
—William Goldman (b. 1931)