Manual Sequence and Automatic Sequence
See also: Record changer#Automatic sequencingWith regard to records, most double album sets have sides 1 and 2 back to back on the first disc, followed by sides 3 and 4 on the second disc, etc. The record industry term for this practice is "manual sequence." However, some double album LP sets have sides 1 and 4 pressed on one disc along with sides 2 and 3 on the other. This practice, known as "automatic sequence," began in the early 1960s and was intended to make it easier for listeners to play through the entire set in order on automatic record changers. The use of automatic sequence gradually declined during the 1970s as automatic record changers fell out of favor. High quality manual turntables became more affordable and are often preferred because they cause less record wear.
After a company decided on manual or automatic sequence, production of that title generally stayed in the same configuration indefinitely. Notable examples of albums using automatic sequence include the 1968 Reprise Records release, Electric Ladyland, by Jimi Hendrix which was still sold in automatic sequence well into the late 1980s. Other common examples include Frampton Comes Alive by Peter Frampton, Songs in the Key of Life by Stevie Wonder, Quadrophenia by The Who, and Bad Girls by Donna Summer.
Read more about this topic: Double Album
Famous quotes containing the words manual, sequence and/or automatic:
“A great deal of unnecessary worry is indulged in by theatregoers trying to understand what Bernard Shaw means. They are not satisfied to listen to a pleasantly written scene in which three or four clever people say clever things, but they need to purse their lips and scowl a little and debate as to whether Shaw meant the lines to be an attack on monogamy as an institution or a plea for manual training in the public school system.”
—Robert Benchley (1889–1945)
“Reminiscences, even extensive ones, do not always amount to an autobiography.... For autobiography has to do with time, with sequence and what makes up the continuous flow of life. Here, I am talking of a space, of moments and discontinuities. For even if months and years appear here, it is in the form they have in the moment of recollection. This strange form—it may be called fleeting or eternal—is in neither case the stuff that life is made of.”
—Walter Benjamin (1892–1940)
“Predictions of the future are never anything but projections of present automatic processes and procedures, that is, of occurrences that are likely to come to pass if men do not act and if nothing unexpected happens; every action, for better or worse, and every accident necessarily destroys the whole pattern in whose frame the prediction moves and where it finds its evidence.”
—Hannah Arendt (1906–1975)