Van Gogh's Double-square Canvases
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Tree Roots, July, 1890, Van Gogh Museum, Amsterdam (F816, JH2113)
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Wheat Fields near Auvers, June–July 1890, Österreichische Galerie Belvedere, Vienna
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Sheaves of Wheat, 1890, Dallas Museum of Art (F771)
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Field with Stacks of Grain, July 1890, Beyeler Foundation, Riehen, Switzerland (F809)
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Undergrowth with Two Figures, June 1890, Cincinnati Museum of Art
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Thatched Cottages by a Hill, July 1890, Tate Gallery, London (F 793, JH 2114)
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Wheat Field with Crows, 1890, Van Gogh Museum, Amsterdam
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Wheat Field Under Clouded Sky, July 1890, Van Gogh Museum, Amsterdam
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Landscape with Castle Auvers at Sunset, June 1890, Van Gogh Museum, Amsterdam (F770)
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Landscape at Auvers in the Rain, July 1890, National Museum Cardiff, Wales
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Daubigny's Garden, July 1890, Auvers, Kunstmuseum Basel Basel. Barbizon painter Charles Daubigny moved to Auvers in 1861. Pictorially he put Auvers on the map, attracting artists Camille Corot and Honoré Daumier among others, and in 1890 Vincent van Gogh. Vincent made a second version of Daubigny's Garden in July 1890, and they are among his final works.
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Daubigny's Garden, 1890, Hiroshima Museum of Art, Hiroshima
Read more about this topic: Double-square Painting
Famous quotes containing the words van gogh, van and/or gogh:
“If ... boyhood and youth are but vanity, must it not be our ambition to become men?”
—Vincent Van Gogh (1853–1890)
“Unlike Descartes, we own and use our beliefs of the moment, even in the midst of philosophizing, until by what is vaguely called scientific method we change them here and there for the better. Within our own total evolving doctrine, we can judge truth as earnestly and absolutely as can be, subject to correction, but that goes without saying.”
—Willard Van Orman Quine (b. 1908)
“It is not the language of painters but the language of nature which one should listen to.... The feeling for the things themselves, for reality, is more important than the feeling for pictures.”
—Vincent Van Gogh (1853–1890)