Van Gogh's Double-square Canvases
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Tree Roots, July, 1890, Van Gogh Museum, Amsterdam (F816, JH2113)
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Wheat Fields near Auvers, June–July 1890, Österreichische Galerie Belvedere, Vienna
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Sheaves of Wheat, 1890, Dallas Museum of Art (F771)
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Field with Stacks of Grain, July 1890, Beyeler Foundation, Riehen, Switzerland (F809)
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Undergrowth with Two Figures, June 1890, Cincinnati Museum of Art
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Thatched Cottages by a Hill, July 1890, Tate Gallery, London (F 793, JH 2114)
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Wheat Field with Crows, 1890, Van Gogh Museum, Amsterdam
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Wheat Field Under Clouded Sky, July 1890, Van Gogh Museum, Amsterdam
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Landscape with Castle Auvers at Sunset, June 1890, Van Gogh Museum, Amsterdam (F770)
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Landscape at Auvers in the Rain, July 1890, National Museum Cardiff, Wales
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Daubigny's Garden, July 1890, Auvers, Kunstmuseum Basel Basel. Barbizon painter Charles Daubigny moved to Auvers in 1861. Pictorially he put Auvers on the map, attracting artists Camille Corot and Honoré Daumier among others, and in 1890 Vincent van Gogh. Vincent made a second version of Daubigny's Garden in July 1890, and they are among his final works.
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Daubigny's Garden, 1890, Hiroshima Museum of Art, Hiroshima
Read more about this topic: Double-square Painting
Famous quotes containing the words van and/or gogh:
“Confusion of sign and object is original sin coeval with the word.”
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“Those Dutchmen had hardly any imagination or fantasy, but their good taste and their scientific knowledge of composition were enormous.”
—Vincent Van Gogh (18531890)