Doris Wishman - Early Film Career

Early Film Career

Despite being the cousin of one of the founders of the famous British Horror production companies, Amicus, Max Rosenberg, Wishman decided to go into the film business on her own. Recent legislation had allowed nudity to be seen in film if it was in the context of documentary footage. Wishman borrowed $10,000 from her sister, Pearl Kushner. Her first nudie feature was Hideout in the Sun in 1959, a nudist camp documentary. Her next film Nude on the Moon released in 1960, was a science fiction nudie. The film was banned in New York State, as the censor board stated that films featuring nudity in a nudist colony setting was fine, but showing nudity in a science fiction-themed film about a nudist colony on the moon was not fine. One of her next films, Blaze Starr Goes Nudist (1962), included a starring role for the legendary burlesque performer, Blaze Starr. Wishman continued to make films that featured nude women, releasing one or two a year. After countless nudie features, she decided to leave the genre when its popularity started to fade.

Read more about this topic:  Doris Wishman

Famous quotes containing the words early, film and/or career:

    It was common practice for me to take my children with me whenever I went shopping, out for a walk in a white neighborhood, or just felt like going about in a white world. The reason was simple enough: if a black man is alone or with other black men, he is a threat to whites. But if he is with children, then he is harmless, adorable.
    —Gerald Early (20th century)

    The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.
    Andrew Gordon, U.S. educator, critic. “The Inescapable Family in American Science Fiction and Fantasy Films,” Journal of Popular Film and Television (Summer 1992)

    It is a great many years since at the outset of my career I had to think seriously what life had to offer that was worth having. I came to the conclusion that the chief good for me was freedom to learn, think, and say what I pleased, when I pleased. I have acted on that conviction... and though strongly, and perhaps wisely, warned that I should probably come to grief, I am entirely satisfied with the results of the line of action I have adopted.
    Thomas Henry Huxley (1825–95)