Dori Seda - Legal Issues Concerning Reproduction of Work

Legal Issues Concerning Reproduction of Work

After Seda's death, conflict arose over who owned the rights to reproduce her work. Friends of Seda's wanted to collect and publish her work (the collection that became Dori Stories), but at her death Seda's estate passed to the next of kin, her mother. Due to the sexual nature of Seda's work, her mother did not wish to see Seda's writing in print again, and refused the right to publish it. However, a year prior to her death, Seda had written a will which gave partner Don Donahue full ownership of her work if she died. The will was witnessed and signed by Seda, Krystine Kryttre, and Donohue. Seda's friends were able to successfully file the will in 1991, leaving Donohue full ownership of her work.

Read more about this topic:  Dori Seda

Famous quotes containing the words legal, issues, reproduction and/or work:

    The steps toward the emancipation of women are first intellectual, then industrial, lastly legal and political. Great strides in the first two of these stages already have been made of millions of women who do not yet perceive that it is surely carrying them towards the last.
    Ellen Battelle Dietrick, U.S. suffragist. As quoted in History of Woman Suffrage, vol. 4, ch. 13, by Susan B. Anthony and Ida Husted Harper (1902)

    The “universal moments” of child rearing are in fact nothing less than a confrontation with the most basic problems of living in society: a facing through one’s children of all the conflicts inherent in human relationships, a clarification of issues that were unresolved in one’s own growing up. The experience of child rearing not only can strengthen one as an individual but also presents the opportunity to shape human relationships of the future.
    Elaine Heffner (20th century)

    Were I called on to define, very briefly, the term Art, I should call it “the reproduction of what the Senses perceive in Nature through the veil of the soul.” The mere imitation, however accurate, of what is in Nature, entitles no man to the sacred name of “Artist.”
    Edgar Allan Poe (1809–1845)

    The work of the world is common as mud.
    Botched, it smears the hands, crumbles to dust.
    But the thing worth doing well done
    has a shape that satisfies, clean and evident.
    ...
    The pitcher cries for water to carry
    and a person for work that is real.
    Marge Piercy (b. 1936)