Instruments
The group was known for Thermos Malling's unusual instrumentation and inventions, and Bob Log III's unique finger picking style of guitar playing, as well as causing mini riots in any club they happened to be performing in. Guitarist and singer Bob Log III played an acoustic/electric slide homemade dobro, which sounded akin to an electrocuted McDowell on amphetamines, mixed with AC/DC. He also played a $2 thrift store guitar in a similar slide fashion which often left the sound men at the clubs where they performed at in awe at its wicked growl during sound check. Doo Rag also employed a number of Thermos Malling's unique microphone setups to distort the vocals, and was as likely to be singing through a vacuum cleaner hose as to be singing into two hairdryers with built-in microphones. Thermos Malling contributed percussion using a custom-made drumkit compiled from a Budweiser box for a bass drum, a tin bucket as a snare drum, an old film reel as a cymbal, an iron shopping basket used as a hi-hat, and a number of other found objects.
Read more about this topic: Doo Rag (band)
Famous quotes containing the word instruments:
“We are all instruments endowed with feeling and memory. Our senses are so many strings that are struck by surrounding objects and that also frequently strike themselves.”
—Denis Diderot (1713–84)
“Fashionable women regard themselves, and are regarded by men, as pretty toys or as mere instruments of pleasure; and the vacuity of mind, the heartlessness, the frivolity which is the necessary result of this false and debasing estimate of women, can only be fully understood by those who have mingled in the folly and wickedness of fashionable life ...”
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“The form of act or thought mattered nothing. The hymns of David, the plays of Shakespeare, the metaphysics of Descartes, the crimes of Borgia, the virtues of Antonine, the atheism of yesterday and the materialism of to-day, were all emanation of divine thought, doing their appointed work. It was the duty of the church to deal with them all, not as though they existed through a power hostile to the deity, but as instruments of the deity to work out his unrevealed ends.”
—Henry Brooks Adams (1838–1918)