Donuts (album) - Creative Process

Creative Process

J Dilla had been diagnosed with an incurable blood disease TTP in 2002 and he had also been diagnosed with lupus previously. According to close friend and fellow producer Karriem Riggins the impetus for Donuts came during an extended hospital stay in the summer of 2005. Dilla's friends from the L.A.-based indie label Stones Throw came to visit and brought him a Boss SP-303 sampler and a small 45 record player so he could make music while in the hospital. Dilla completed 29 of the 31 songs on Donuts while still in the hospital.

In the December 2006 issue of The Fader magazine, J Dilla's mother, Maureen Yancey, who is a former opera singer, spoke of watching her son's daily routine while working on Donuts:

I knew he was working on a series of beat CDs before he came to Los Angeles. Donuts was a special project that he hadn't named yet. This was the tail end of his "Dill Withers" phase, while he was living in Clinton Township, Michigan. You see, musically he went into different phases. He'd start on a project, go back, go buy more records and then go back to working on the project again.

I saw him all day, everyday. I would go there for breakfast, go back to Detroit to check on the daycare business I was running, and then back to his house for lunch and dinner. He was on a special diet and he was a funny eater anyway. He had to take 15 different medications, we would split them up between meals, and every other day we would binge on a brownie sundae from Big Boys. That was his treat.

I didn't know about the actual album Donuts until I came to Los Angeles to stay indefinitely. I got a glimpse of the music during one of the hospital stays, around his 31st birthday, when House Shoes came out from Detroit to visit him. I would sneak in and listen to the work in progress while he was in dialysis. He got furious when he found out I was listening to his music! He didn't want me to listen to anything until it was a finished product.

He was working in the hospital. He tried to go over each beat and make sure that it was something different and make sure that there was nothing that he wanted to change. "Lightworks", oh yes, that was something! That's one of the special ones. It was so different. It blended classical music (way out there classical), commercial and underground at the same time.

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