Don't You Want Me is a eurodance song performed by Swedish band Alcazar and released internationally in 2002. The song was included to the European version of Casino together with a few other, and was recorded in Stockholm at first, but when they wanted it for a new pan-European single, a whole new version was made.
The single was released in Australia as a follow up to the megahit single "Crying at the Discoteque" and the release includes the "Ivan's X Mix" of CATD as a bonus. The white 12 inch was released in Europe and distributed to DJs to get maximum airplay at the disco arenas.
So far Don't You Want Me is the biggest hit for the group in United States, climbing to #30 on the Billboard Hot 100 Singles chart and staying on the chart for 15 weeks. It Also became huge favourite in the Clubs and US Radio Stations.
The Human League themselves have said that they like this version, as it is fairly true to the original; and Alcazar still performs this track at their live shows around the world.
The song is playable on the Karaoke Revolution games.
- Music video
The video was filmed at Filmhuset in Stockholm, and once again Jesper Ganslandt directed it all. As always in Alcazar videos the storyline takes place in "Alcazar world" – and this time it all took place in "Circus Alcazar". The video is filled with horses, ducks, an evil parrot, acrobats and the Alcazar ballet.
The whole video shoot took almost 23 hours, and actually includes Annikafiore's boyfriend juggling with fire in the background The Alcazar dog Selma was styled in a pink ballerina dress and waited the whole day for the filming of her scene where she would perform jumps in the circus arena.
Famous quotes containing the words want me, you and/or want:
“The sun is shining.
The shadows of the lovers have disappeared.
They are all eyes; they have some demand on me—
They want me to be more serious than I want to be.”
—Louis Simpson (b. 1923)
“You must, to get through life well, practice industry with economy, never create a debt for anything that is not absolutely necessary, and if you make a promise to pay money at a day certain, be sure to comply with it. If you do not, you lay yourself liable to have your feelings injured and your reputation destroyed with the just imputation of violating your word.”
—Andrew Jackson (1767–1845)
“Ibsen is like this room where we are sitting, with all the tables and chairs. Do I care whether you have twenty or twenty-five links on your chain? Hedda Gabler, Nora and the rest: it is not that I want! I want Rome and the Coliseum, the Acropolis, Athens; I want beauty, and the flame of life.”
—Eleonora Duse (1859–1924)