Music Video
On August 20, 2007, Clarkson made an appearance on Canada's MTV Live before performing on Canadian Idol on August 21, 2007. During her appearance, she confirmed her plans on shooting the music video for the song in a couple of days. Clarkson added that her idea for the music video and it will be kind of a "rocker fairytale". In an interview, Clarkson said that in the video, she has dark colored hair.
A sneak peek of the video appeared on September 25, 2007 on Clarkson's official site. In the video you can see Clarkson and others filming the video and talking about the technical special effects. The video, which was directed by Roman White, is to take place in a castle, where Clarkson is trapped and a prince is trying to get in. The video premiered via internet on White's official website on October 5, 2007. The castle in the video is a digital copy of a Hungarian–Transylvanian Castle of Huniazilor/Corvineştilor (Hunyad Castle), located on Hunedoara, Romania.
The video itself features Clarkson with long, dark hair asleep on a large gothic bed covered in vines, as if to be a darker version of Sleeping Beauty, waiting for a prince to awaken her with a kiss. However, when the "prince" finally does arrive at the surreal castle, he finds that the vines are growing out of control, engulfing the building and keeping him out. He snaps vines and crawls around them to try to get to Clarkson. Throughout, Clarkson is seen in a blood red dress undoubtedly based on the album's cover, demanding that he not waste his time. The video ends with the prince finally reaching the bed on which Clarkson lies asleep, but it is nearly invisible due to the black vines growing around it. As he passes by, looking intently for her, the vines seal up the last hole through which the bed could be seen, and he walks past oblivious.
Read more about this topic: Don't Waste Your Time
Famous quotes containing the words music and/or video:
“A womans two cents worth is worth two cents in the music business.”
—Loretta Lynn (b. 1930)
“We attempt to remember our collective American childhood, the way it was, but what we often remember is a combination of real past, pieces reshaped by bitterness and love, and, of course, the video pastthe portrayals of family life on such television programs as Leave it to Beaver and Father Knows Best and all the rest.”
—Richard Louv (20th century)