Motion Pictures and Television
Several of Westlake's novels have been made into motion pictures: 1967's Point Blank (based on The Hunter) with Lee Marvin as Parker (changed to Walker); 1968's The Split (from the book The Seventh) with Jim Brown as Parker (changed to McClain); The Hot Rock in 1972 with Robert Redford; Cops and Robbers in 1973; The Outfit with Robert Duvall as Parker (changed to Macklin), also in 1973; Bank Shot in 1974 with George C. Scott; The Busy Body (with an "all-star cast") in 1967; Slayground with Peter Coyote in 1983; Why Me? with Christopher Lambert, Christopher Lloyd, and J. T. Walsh in 1990; Payback in 1999, the second film made from The Hunter, with Mel Gibson as Parker (changed to Porter); What's the Worst That Could Happen? in 2001 with Martin Lawrence. Costa Gavras adapted The Ax for the European screen in 2005, to great critical and public acclaim. Entitled Le Couperet, the film takes place in France and Belgium rather than the novel's setting of New England.
The novel Jimmy the Kid has been adapted three times: in Italy as Come ti rapisco il pupo in 1976; in the U.S. as Jimmy the Kid in 1982 starring Gary Coleman; and in Germany as Jimmy the Kid in 1998 starring Herbert Knaup.
The novel Two Much! has been adapted twice: in France as Le Jumeau (The Twin) in 1984; and in the U.S. as Two Much in 1995 starring Antonio Banderas and Melanie Griffith.
Jean-Luc Godard's Made in USA in 1966 was an extremely loose adaptation of The Jugger. Neither the film's producer nor Godard purchased the rights to the novel, so Westlake successfully sued to prevent the film's commercial distribution in the United States.
Westlake was himself a screenwriter. His script for the 1990 film The Grifters, adapted from the novel by Jim Thompson, was nominated for an Academy Award. (Westlake the screenwriter adapted Jim Thompson's work in a straightforward manner, but Westlake the humourist played on Thompson's name later that year in the Dortmunder novel Drowned Hopes by featuring a character named "Tom Jimson" who is a criminal psychopath.) Westlake also wrote the screenplay The Stepfather (from a story by Westlake, Brian Garfield and Carolyn Lefcourt), the film of which was sufficiently popular to receive two sequels and a remake, projects in which Westlake was not involved.
In 1987 Westlake wrote the teleplay Fatal Confession, a pilot for the TV series Father Dowling Mysteries based on the novels by Ralph McInerny.
Westlake also wrote a treatment for the James Bond film Tomorrow Never Dies, which was adapted later by several screenwriters. How much of Westlake's story ended up in the screenplay is unknown; he does not receive either a story or screenplay credit for the finished film, suggesting that little if any of his original work was used .
Westlake co-wrote the story for the pilot of the ill-fated 1979 TV series Supertrain with teleplay writer Earl W. Wallace; Westlake and Wallace shared "created by" credit.
Read more about this topic: Donald E. Westlake
Famous quotes containing the words motion, pictures and/or television:
“No motion has she now, no force;
She neither hears nor sees;
Rolled round in earth’s diurnal course,
With rocks, and stones, and trees.”
—William Wordsworth (1770–1850)
“There is no one kind of thing that we ‘perceive’ but many different kinds, the number being reducible if at all by scientific investigation and not by philosophy: pens are in many ways though not in all ways unlike rainbows, which are in many ways though not in all ways unlike after-images, which in turn are in many ways but not in all ways unlike pictures on the cinema-screen—and so on.”
—J.L. (John Langshaw)
“There was a girl who was running the traffic desk, and there was a woman who was on the overnight for radio as a producer, and my desk assistant was a woman. So when the world came to an end, we took over.”
—Marya McLaughlin, U.S. television newswoman. As quoted in Women in Television News, ch. 3, by Judith S. Gelfman (1976)