Don Quixote (ballet) - From Russia To The Rest of The World

From Russia To The Rest of The World

Don Quixote was brought from Russia to other countries first by Anna Pavlova's company in 1924 in an abridged version of Gorsky's 1902 production, though the full-length work was not staged abroad for many years. The famous Grand Pas de Deux from the ballet's final scene was staged in the west as early as the 1940s, given first by the Ballet Russe de Monte Carlo. The first full-length production mounted outside of Russia was a completely new staging, produced and choreographed by Ninette de Valois for The Royal Ballet in 1950. The first full revival of the original Russian production to be staged in the West was by Ballet Rambert in 1962. In 1966 Rudolf Nureyev staged his version for the Vienna State Opera Ballet, with Minkus' score adapted by John Lanchbery. In 1973, Nureyev filmed his version with the Australian Ballet, and Robert Helpmann as Don Quixote. Mikhail Baryshnikov mounted his own version in 1980 for American Ballet Theatre, a production that has been staged by many companies, including the Paris Opera Ballet. Today the ballet has been staged by many companies all over the world in many different versions, and is considered to be among the great classics of the ballet.

American choreographer George Balanchine famously created a modern version in 1965 for the New York City Ballet to the music of Nicolas Nabokov, with Balanchine himself appearing as Don Quixote and Suzanne Farrell as Dulcinea. This production had nothing to do with the Minkus version. It was only given until the mid 1970s, and then taken out of the repertory of the company. In 2005 it was reconstructed by Farrell for the company, and continues to be performed.