Dominant Seventh Chord

In music theory, a dominant seventh chord, or major minor seventh chord, is a chord composed of a root, major third, perfect fifth, and minor seventh. It can be also viewed as a major triad with an additional minor seventh. It is denoted using popular music symbols by adding a superscript "7" after the letter designating the chord root. The dominant seventh is found almost as often as the dominant triad. In Roman numerals it is represented as V7. The chord can be represented by the integer notation {0, 4, 7, 10}.

dominant seventh chord
Component intervals from root
minor seventh
perfect fifth
major third
root
Forte number or Tuning
20:25:30:36

Of all the seventh chords, perhaps the most important is the dominant seventh. It was the first seventh chord to appear regularly in classical music. The name comes from the fact that it occurs naturally in the seventh chord built upon the dominant (i.e. the fifth degree) of a given major diatonic scale. Take for example the C major scale (C, D, E, F, G, A, B, C):

The note G is the dominant degree of C major - its fifth note. When we arrange the notes of the C major scale in ascending pitch and use only these notes to build a seventh chord, and we start with G (not C), then the resulting chord contains the four notes G-B-D-F and is called G dominant seventh (G7). The note F is a minor seventh from G, and it is also called the dominant seventh with respect to G. However, the 'dominant' seventh is used on notes other than the dominant, such as the subdominant.

Read more about Dominant Seventh Chord:  Function, History, Voice Leading, Dominant Seventh Chord Table

Famous quotes containing the words dominant, seventh and/or chord:

    What makes revolutionists is either self-pity, or indignation for the sake of others, or a sympathetic perception of the dominant undercurrent of progress in things. The nature before us is revolutionist from the direct sense of personal worth,... that pride of life, which to the Greek was a heavenly grace.
    Walter Pater (1839–1894)

    Then, anger
    was a crease in the brow
    and silence
    a catastrophe.
    Then, making up
    was a mutual smile
    and a glance
    a gift.
    Now, just look at this mess
    that you’ve made of that love.
    You grovel at my feet
    and I berate you
    and can’t let my anger go.
    Amaru (c. seventh century A.D.)

    The notes, random
    From tuning, wander into the heat
    Like a new insect chirping in the scrub,
    Untired at noon. A chord gathers and spills....
    Philip Larkin (1922–1986)