Style
Dragonetti was known for his formidable strength and stamina. It was particularly important at a time when the role of the double bass in the orchestra was to assist the concertmaster in maintaining the cohesion and establishing the tempo. He had huge hands with strong, broad fingers, which allowed him to play with a taller bridge and strings twice as far from the fingerboard as the other bassists.
The physical quality is his huge hand: endowed, first of all, with prodigious strength so that its grip on the strings of the instrument is the equivalent of the grip of a blacksmith's vice... A hand endowed with five fingers so long, big and agile, that all five, including the bent thumb, go up and down the fingerboard each playing a note. (Caffi, 1855)
This was not at all standard in these times, as most players used to play - in one position - one note with the index finger, and one with the other three fingers in combination.
Read more about this topic: Domenico Dragonetti
Famous quotes containing the word style:
“Style is the man himself.
[Le style c’est l’homme même.]”
—Leclerc, George-Louis Buffon, Comte De (1707–1788)
“One man’s style must not be the rule of another’s.”
—Jane Austen (1775–1817)
“His style is eminently colloquial, and no wonder it is strange to meet with in a book. It is not literary or classical; it has not the music of poetry, nor the pomp of philosophy, but the rhythms and cadences of conversation endlessly repeated.”
—Henry David Thoreau (1817–1862)