Documentary Theatre in Theory
Documentary theater is a movement that attempts to bring social issues to the stage by emphasizing factual information over aesthetic considerations. The creator or playwright is trying to start a dialogue with the audience by focusing on the psychological and interpersonal aspect of a particular event. Documentary drama tries to create itself as a second source or a commentary on an event or person.
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Famous quotes containing the words documentary, theatre and/or theory:
“If you want to tell the untold stories, if you want to give voice to the voiceless, you’ve got to find a language. Which goes for film as well as prose, for documentary as well as autobiography. Use the wrong language, and you’re dumb and blind.”
—Salman Rushdie (b. 1948)
“Compare ... the cinema with theatre. Both are dramatic arts. Theatre brings actors before a public and every night during the season they re-enact the same drama. Deep in the nature of theatre is a sense of ritual. The cinema, by contrast, transports its audience individually, singly, out of the theatre towards the unknown.”
—John Berger (b. 1926)
“A theory if you hold it hard enough
And long enough gets rated as a creed....”
—Robert Frost (1874–1963)