Documentary Theatre in Theory
Documentary theater is a movement that attempts to bring social issues to the stage by emphasizing factual information over aesthetic considerations. The creator or playwright is trying to start a dialogue with the audience by focusing on the psychological and interpersonal aspect of a particular event. Documentary drama tries to create itself as a second source or a commentary on an event or person.
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Famous quotes containing the words documentary, theatre and/or theory:
“What is a novel if not a conviction of our fellow-men’s existence strong enough to take upon itself a form of imagined life clearer than reality and whose accumulated verisimilitude of selected episodes puts to shame the pride of documentary history?”
—Joseph Conrad (1857–1924)
“The theatre is a gross art, built in sweeps and over-emphasis. Compromise is its second name.”
—Enid Bagnold (1889–1981)
“Freud was a hero. He descended to the “Underworld” and met there stark terrors. He carried with him his theory as a Medusa’s head which turned these terrors to stone.”
—R.D. (Ronald David)