Documentary Theatre in Theory
Documentary theater is a movement that attempts to bring social issues to the stage by emphasizing factual information over aesthetic considerations. The creator or playwright is trying to start a dialogue with the audience by focusing on the psychological and interpersonal aspect of a particular event. Documentary drama tries to create itself as a second source or a commentary on an event or person.
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Famous quotes containing the words documentary, theatre and/or theory:
“What is a novel if not a conviction of our fellow-men’s existence strong enough to take upon itself a form of imagined life clearer than reality and whose accumulated verisimilitude of selected episodes puts to shame the pride of documentary history?”
—Joseph Conrad (1857–1924)
“Glorious bouquets and storms of applause ... are the trimmings which every artist naturally enjoys. But to move an audience in such a role, to hear in the applause that unmistakable note which breaks through good theatre manners and comes from the heart, is to feel that you have won through to life itself. Such pleasure does not vanish with the fall of the curtain, but becomes part of one’s own life.”
—Dame Alice Markova (b. 1910)
“The whole theory of modern education is radically unsound. Fortunately in England, at any rate, education produces no effect whatsoever. If it did, it would prove a serious danger to the upper classes, and probably lead to acts of violence in Grosvenor Square.”
—Oscar Wilde (1854–1900)