Reception
Mark Braxton of Radio Times wrote that the story had "quality in spades", especially in the location filming, and that the story was "gritty" and "provocative" with "fine character actors". He praised the design and the voice-acting of the Silurians, but felt their rubber costume on-screen made them come across as "silly". Braxton was also disappointed with other production "shortcomings", such as the "cheap-looking" cave set, the dinosaur, and "Carey Blyton's electro-bagpiped Silurian theme". The A.V. Club reviewer Christopher Bahn wrote that it "keeps a snappy pace throughout thanks to Malcolm Hulke's well-plotted script". He noted that both the monsters and the humans were more complex than previously seen on Doctor Who. Like Braxton, he also felt the serial was "badly served by the Silurian costumes, which are terrible even by the standards of low-budget, 1970s TV". DVD Talk's John Sinnott noting that some parts were "a bit slow" due to the length, but it was a "mature" story where Pertwee defined his Doctor. However, Sinnot felt that John was still trying to find her character's place, and did not have much chemistry with Pertwee.Den of Geek gave a positive review of the serial, writing that "the production is only marred by its excessive number of episodes compared to the story it had to tell ... and an often-appalling 'medieval' score by experimentalist Carey Blyton". In 2010, Charlie Jane Anders of io9 listed Episode Six's cliffhanger as one of the best in all of Doctor Who. Anders listed the serial as a good example of the early Pertwee years, calling it "pretty fantastic" with enemies who "aren't just one-dimensional baddies" and the length "somewhat justified by a harrowing subplot where a plague starts killing people all across London".
Read more about this topic: Doctor Who And The Silurians
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