It has a special status amongst Doctor Who-themed charity productions. It has twice been featured on the cover of Doctor Who Magazine - an unusual feat even for a regular episode of the programme. It is the only parodic story to be covered by "DWM Archives", a section of DWM normally reserved for discussion of past episodes of the regular series. Similarly, it is the only parody to be given an extensive behind-the-scenes article on the BBC official website, and its own video release through BBC Video. It is also the only BBC-commissioned live-action Doctor Who production between the Doctor Who television movie and "Rose".
Finally, it serves as a production bridge - if not a narrative bridge - between the 1963 and 2005 versions of the programme. Most notable amongst the many connections between "old" and "new" versions is the fact that it showcases the first televised Doctor Who script by Steven Moffat, the first post-production work of The Mill on the programme, the only time a woman produced an episode of the programme between Verity Lambert and Susie Liggat, and the final performance by the longest-serving Dalek vocal artist, Roy Skelton. Executive Producer Richard Curtis would later write the 2010 episode, "Vincent and the Doctor".
Famous quotes containing the words curse and/or fatal:
“The curse of hell upon the sleek upstart
That got the Captain finally on his back
And took the red red vitals of his heart
And made the kites to whet their beaks clack clack.”
—John Crowe Ransom (18881974)
“When a Man is in a serious Mood, and ponders upon his own Make, with a Retrospect to the Actions of his Life, and the many fatal Miscarriages in it, which he owes to ungoverned Passions, he is then apt to say to himself, That Experience has guarded him against such Errors for the future: But Nature often recurs in Spite of his best Resolutions, and it is to the very End of our Days a Struggle between our Reason and our Temper, which shall have the Empire over us.”
—Richard Steele (16721729)