Doctor Who and The Curse of Fatal Death

Doctor Who and the Curse of Fatal Death (commonly shortened to The Curse of Fatal Death) is a four-episode special of Doctor Who made for the Red Nose Day charity telethon in the United Kingdom, and broadcast on BBC One on 12 March 1999. It follows in a long tradition of popular British television programmes producing short, light-hearted specials for such telethon events.

It has a special status amongst Doctor Who-themed charity productions. It has twice been featured on the cover of Doctor Who Magazine - an unusual feat even for a regular episode of the programme. It is the only parodic story to be covered by "DWM Archives", a section of DWM normally reserved for discussion of past episodes of the regular series. Similarly, it is the only parody to be given an extensive behind-the-scenes article on the BBC official website, and its own video release through BBC Video. It is also the only BBC-commissioned live-action Doctor Who production between the Doctor Who television movie and "Rose".

Finally, it serves as a production bridge - if not a narrative bridge - between the 1963 and 2005 versions of the programme. Most notable amongst the many connections between "old" and "new" versions is the fact that it showcases the first televised Doctor Who script by Steven Moffat, the first post-production work of The Mill on the programme, the only time a woman produced an episode of the programme between Verity Lambert and Susie Liggat, and the final performance by the longest-serving Dalek vocal artist, Roy Skelton. Executive Producer Richard Curtis would later write the 2010 episode, "Vincent and the Doctor".

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Famous quotes containing the words curse and/or fatal:

    The masses always end up wholeheartedly believing and following those individuals whom they themselves mock, individuals whom they curse and persecute, but individuals who, not fearing their curses or their persecution, continue steadily forward, having fastened a spiritual gaze on the only goal such individuals can see.
    Ivan Sergeevich Turgenev (1818–1883)

    Standing navies, as well as standing armies, serve to keep alive the spirit of war even in the meek heart of peace. In its very embers and smoulderings, they nourish that fatal fire, and half-pay officers, as the priests of Mars, yet guard the temple, though no god be there.
    Herman Melville (1819–1891)