Later Work
In the 1970s, Doc Cheatham made a vigorous self-assessment to improve his playing, including taping himself and critically listening to the recordings, then endeavoring to eliminate all clichés from his playing. The discipline paid off, and Doc received ever-improving critical attention.
His singing career began almost by accident in a Paris recording studio on 2 May 1977. As a level and microphone check at the start of a recording session with Sammy Price's band, Cheatham sang and scatted his way through a couple of choruses of "What Can I Say Dear After I Say I'm Sorry". The miking happened to be good from the start and the tape machine was already rolling, and the track was issued on the LP Doc Cheatham: Good for What Ails You. His singing was well received and Cheatham continued to sing in addition to play music for the rest of his career.
Cheatham toured widely in addition to his regular Sunday gig leading the band at Sweet Basil in Manhattan's Greenwich Village in his final decade. During one of his frequent trips to New Orleans, Louisiana, he met and befriended young trumpet virtuoso Nicholas Payton. In 1996 the two trumpeters and pianist Butch Thompson recorded a CD for Verve Records, Doc Cheatham and Nicholas Payton, which won them a Grammy Award.
Doc Cheatham continued playing until two days before his death, eleven days shy of his 92nd birthday.
Read more about this topic: Doc Cheatham
Famous quotes containing the word work:
“I watched a small man with thick calluses on both hands work fifteen and sixteen hours a day. I saw him once literally bleed from the bottoms of his feet, a man who came here uneducated, alone, unable to speak the language, who taught me all I needed to know about faith and hard work by the simple eloquence of his example.”
—Mario Cuomo (b. 1932)
“... there is no way of measuring the damage to a society when a whole texture of humanity is kept from realizing its own power, when the woman architect who might have reinvented our cities sits barely literate in a semilegal sweatshop on the Texas- Mexican border, when women who should be founding colleges must work their entire lives as domestics ...”
—Adrienne Rich (b. 1929)