The Bodies
The F91 was presented as a two-door saloon with front opening doors which presumably facilitated access. A ‘pillarless’ coupe version, first seen in 1953, was produced from 1954, as well as a cabriolet, bodied by Osnabrück coach builders Karmann. In addition there was a three-door estate version, called the ‘Universal’, which continued to be offered unchanged until June 1957, by which time saloon buyers had been offered the F93, an upgraded version, for two years.
Modifications came progressively. The coupe version had been launched with a ‘panoramic’ three piece wrap around back window, and in the back end of 1954 a similar wrap-around back window appeared on the two-door saloon. Advertising highlighted such features as a fuel gauge and an interior light that could be set to come on automatically when the door was opened.
1955 saw the launch of the F93 version, also known as the Grosse 3=6. This shared the 235-centimetre (92.5 in) wheel-base of the F91, but was slightly longer, wider and taller. The track was also increased by 10 centimetres (3.9 in). In place of horizontal metal slats, the new model featured an oval shaped front grill containing five horizontal metel coloured slats. The oval grill was modified again in 1957 when the slats were replaced by a chrome coloured grid design. Inside there were improvements to the instrumentation and the heating.
The DKW Monza which appeared in 1956 was essentially a DKW F93/F94 under its (light-weight plastic) skin.
In 1957, with the introduction of the F94 version of the car, a four-door version finally became available. The four-door saloon’s wheel-base was extended by 10 centimetres (3.9 in) over that of the two door: advertising continued to emphasize the DKW’s class leading interior spaciousness. 1957 was also the year when the F91 ‘Universal’ estate version was upgraded to an F94: it now incorporated many of features introduced two years earlier on the saloons.
Read more about this topic: DKW 3=6
Famous quotes containing the word bodies:
“Much wondering to see upon all hands, of wattles and woodwork made,
Your bell-mounted churches, and guardless the sacred cairn and the rath,
And a small and a feeble populace stooping with mattock and spade,
Or weeding or ploughing with faces a-shining with much-toil wet;
While in this place and that place, with bodies unglorious, their chieftains stood....”
—William Butler Yeats (1865–1939)
“For women ... bras, panties, bathing suits, and other stereotypical gear are visual reminders of a commercial, idealized feminine image that our real and diverse female bodies can’t possibly fit. Without these visual references, each individual woman’s body demands to be accepted on its own terms. We stop being comparatives. We begin to be unique.”
—Gloria Steinem (b. 1934)