Biography
Ishi was born in 1962 in Tokyo. Ishi dropped out of school at an early age and joined a local gang, and a few years later, the yakuza. Early into his career as a yakuza underling, Ishi discovered a severed finger wrapped in paper on his desk. Later, after discovering that it had belonged to his best friend, he decided to leave the yakuza and cut ties with the criminal underworld.
In the early 1980s, Ishi went to the movies with his girlfriend and saw the film Wild Style, the first hip hop motion picture directed by Charlie Ahearn. He was inspired to become a hip hop musician, and made the firm decision to become a DJ. The day after seeing this movie, he headed to instrument shops looking for equipment. At this time the term "mixer" was unknown to most of Tokyo's electronic store salesmen. After a hard time buying the things he needed, Ishi started his career as one of the first hip hop artists in Japan.
Aside from being considered one of the pioneers of Japanese hip hop, Ishi has established himself as one of the most respected artists and producers in the hip hop industry, both in Japan and abroad. Upon entering the industry, Ishi, with his experimental beats and instrumental sounds, changed the face of hip-hop at a time when it was dominated by the American rap scene. He is reluctant to identify his music with any particular genre, for it would place limits on his listeners and on his talents. He has been regarded as ambient, trip hop, some combination of the two, and hip hop. DJ Krush prefers to exercise an ideological distance from the genres he is usually grouped into, while maintaining a healthy appreciation for all music forms and styles. In 1996, DJ Krush contributed to the AIDS benefit album Offbeat: A Red Hot Soundtrip produced by the Red Hot Organization.
Read more about this topic: DJ Krush
Famous quotes containing the word biography:
“A great biography should, like the close of a great drama, leave behind it a feeling of serenity. We collect into a small bunch the flowers, the few flowers, which brought sweetness into a life, and present it as an offering to an accomplished destiny. It is the dying refrain of a completed song, the final verse of a finished poem.”
—André Maurois (1885–1967)
“There never was a good biography of a good novelist. There couldn’t be. He is too many people, if he’s any good.”
—F. Scott Fitzgerald (1896–1940)
“In how few words, for instance, the Greeks would have told the story of Abelard and Heloise, making but a sentence of our classical dictionary.... We moderns, on the other hand, collect only the raw materials of biography and history, “memoirs to serve for a history,” which is but materials to serve for a mythology.”
—Henry David Thoreau (1817–1862)