Role of Motown
Diana Ross was one of the first Motown artists to embrace the disco sound with her hugely successful 1976 outing "Love Hangover" from her self-entitled album. Ross would continue to score disco hits for the rest of the disco era, including the 1980 dance classics "Upside Down" and "I'm Coming Out" (the latter immediately becoming a favorite in the gay community). The Supremes, The group that made Ross famous, scored a handful of hits in the disco clubs without Ross, most notably 1976's "I'm Gonna Let My Heart Do the Walking" and, their last charted single before disbanding, 1977's "You're My Driving Wheel".
Also noteworthy are Cheryl Lynn's "Got to Be Real" (1978), Evelyn "Champagne" King's "Shame" (1978), Cher's "Take Me Home" (1979), Sister Sledge's "We Are Family" (1979), Geraldine Hunt's "Can't Fake the Feeling" (1980), and Walter Murphy's various attempts to bring classical music to the mainstream, most notably his hit "A Fifth of Beethoven" (1976).
Read more about this topic: Disco
Famous quotes containing the word role:
“The role of the stepmother is the most difficult of all, because you can’t ever just be. You’re constantly being tested—by the children, the neighbors, your husband, the relatives, old friends who knew the children’s parents in their first marriage, and by yourself.”
—Anonymous Stepparent. Making It as a Stepparent, by Claire Berman, introduction (1980, repr. 1986)