Disco - Disco Clubs and Culture

Disco Clubs and Culture

By the late 1970s most major U.S. cities had thriving disco club scenes, but the largest scenes were in San Francisco, Miami, and most notably New York City. The scene was centered on discotheques, nightclubs, and private loft parties where DJs would play disco hits through powerful PA systems for the patrons who came to dance. The DJs played "...a smooth mix of long single records to keep people 'dancing all night long'". Some of the most prestigious clubs had elaborate lighting systems that throbbed to the beat of the music.

At the height of the disco era, McFaddin Ventures were operating many successful and profitable nightclubs. In an effort to maximize profit, McFaddin Ventures in Houston, Texas commissioned a study on the stimulation of males and females during the playing of music. They accordingly custom tuned their speakers to make their numerous clubs more exciting.

In October 1975 notable discos included "Studio One" in Los Angeles, "Leviticus" in New York and "The Library" in Atlanta. The library Disco chain had locations in New City, Syracuse N.Y., Pittsburgh Pa., a short lived version in Denver, Co. as well as Atlanta Ga.

In the late 1970s, Studio 54 was arguably the most well known nightclub in the world. This club played a major formative role in the growth of disco music and nightclub culture in general.

Read more about this topic:  Disco

Famous quotes containing the words clubs and/or culture:

    The true reformer does not want time, nor money, nor coöperation, nor advice. What is time but the stuff delay is made of? And depend upon it, our virtue will not live on the interest of our money. He expects no income, but outgoes; so soon as we begin to count the cost, the cost begins. And as for advice, the information floating in the atmosphere of society is as evanescent and unserviceable to him as gossamer for clubs of Hercules.
    Henry David Thoreau (1817–1862)

    Anthropologists have found that around the world whatever is considered “men’s work” is almost universally given higher status than “women’s work.” If in one culture it is men who build houses and women who make baskets, then that culture will see house-building as more important. In another culture, perhaps right next door, the reverse may be true, and basket- weaving will have higher social status than house-building.
    —Mary Stewart Van Leeuwen. Excerpted from, Gender Grace: Love, Work, and Parenting in a Changing World (1990)